The Tracey Fragments, the latest film from Canadian director Bruce McDonald, follows the story of a 15-year-old girl (Ellen Page) who has “lost her little brother and sets out on a desperate journey to find him”. While the film itself looks absolutely phenomenal, Tracey: Re-Fragmented, the film’s online counterpart, is where the project really begins…
To the Commoners community, from Cory Doctorow: My writing career and Creative Commons are inextricably bound together. My first novel, Down and Out in the Magic Kingdom, was published by Tor, the largest science fiction publisher in the world, on January 9, 2003, just a few days after CC launched its first licenses. I was…
Russell from Worldlabel.com, a proud sponsor of the LiveContent project which you can help fill up with CC licensed content, sent over a link from mashable.com which lists 25+ sources of Creative Commons licensed content. While Creative Commons only provides free open content licenses and doesn’t have a database or store content, we have a…
Matt Haughey (CC’s Creative Director 2002-2005) on how to see the future of the music business in today’s classical music business. Lucas Gonze (worked on an early version of ccMixter in 2004) on the business of artist services, see comments on followup posts (roundup) for insightful discussion of the role of artists, artist services, labels,…
October has been one busy month — The CC Team in Greece held a phenomenal launch at the University of Athens (video, photos), Luxembourg became the 40th jurisdiction to port the CC licenses, CC HQ kicked off our 3rd annual fundraising campaign, and now: New Zealand will now offer Creative Commons licenses adapted to its…
Announcement: The Open Rights Group, in collaboration with 01zero-one and funded by the London Development Agency, is beginning an exciting new research project, examining how the internet enables creative entrepreneurs to develop innovative business practices by being more open with their intellectual property. Creative Business in the Digital Era will examine new business models and…
RIP.MIX.BURN.BAM.PFA, an art exhibit that celebrates “the cultural and artistic practice of remix”, opens this Friday at the Berkeley Art Museum and Pacific Film Archive (BAM/PFA). From BAM/PFA: RIP.MIX.BURN.BAM.PFA […] invit[es] guest artists to “rip, mix, and burn” elements from two digital-media works in the museum’s collection—Ken Goldberg’s Ouija 2000 and Valéry Grancher’s 24h00 (both…
ccLearn, the education division of Creative Commons, is looking to fill a new internship position. This position will focus on the interface of digital educational resources and search technology. We are collaborating with Google, among other organizations, to build a functional search engine that will find and highlight open educational resources, as well as any…
Bloodspell, the machinima film project we mentioned last November, has been released as an 84 minute feature. This is a first feature length machinima production, and it’s released under a CC Attribution-NonCommercial-ShareAlike license: We`re fairly sure BloodSpell is the largest Machinima film ever created. It`s an independent film that, because it is using Machinima technology,…
Artabase is a beta social networking site for the arts community that “aims to become the world’s best online database of art history” by turning contemporary event listings into a growing database of artistic happenings. Artabase’s concept is based around a collective definition of history, and as such, they recently adopted CC-licences in their uploading…