Marike van Roon shares that “the main benefit of open culture is accessibility” because if you are not fortunate enough to be part of organization that pays for you to have access to collections and you don’t live in city with public collections it’s almost impossible to access a lot of cultural heritage. In this…

“For researchers GLAM’s preserve primary sources” which is of great benefit when creating knowledge and research about the present and the past. Pierre talks about how open access policies in GLAM’s make knowledge shared and more widespread instead of just for the elite few with permission from the collecting institution. Open Culture VOICES is a…

A shyrdaq on the floor of a Kyrgyz home in Kyzyl-Jar, Aqsy, Jalalabat”, Kyrgyzstan by Firespeaker, here cropped, is licensed via CC BY-SA 3.0.

CC celebrates the 20th anniversary of the UNESCO Convention for the Safeguarding of Intangible Cultural Heritage. CC’s community initiative “Towards a Recommendation on Open Culture” (TAROC) is designed to support the international community in developing a positive, affirmative, and influential recommendation enshrining the values, objectives, and mechanisms for open culture to flourish and, in particular, for open culture to serve as a means to safeguard intangible cultural heritage.

Michael has discovered a lead-by-example way of working in Open GLAM which is that “friction and barriers that are faced are actually resolved by Open Access and Open GLAM which can be passed down to future users of creative works.” In this episode we learn more about the ways institutions conflate stewardship obligations and responsibility…

“Open access is essential for education, innovation, and cultural participation.” Deborah believes that cultural heritage institutions such as libraries, archives, and museums are not just responsible for the preservation of material but in the access and promotion of material for the public good. Institutions should can choose to make their material available online and these…

Villarreal is a fellow at the Berkman Klein Center of Harvard University and a former Mozilla Open Web fellow. A self-taught systems programmer and accomplished open advocate, Paola’s research as a Berkman Fellow focuses on the relationship between data and justice, aiming to strengthen access and reduce inequality by developing data tools that inform the…

Glenn O. Brown works with a range of organizations on brand and identity, audience development, teambuilding, and fundraising. In addition to advising start-ups and corporations, Glenn is on the board of directors of nonprofits The Texas Tribune and Words Without Borders and is a senior advisor at MIT’s Center for Constructive Communication.    Glenn has…

“Open access means that we’re able to reach more people in a more equitable fashion.” Christy explains how the Wellcome Collection has been using Open Access to increase the engagement and shared value of an art and culture collection in a private foundation. Christy also shares some insight about the benefits of leveraging existing tools,…

Jennie says “one thing that I love about the internet is that it has allowed us to do things we weren’t able to in the past.” In this episode we learn about the differences between digital and physical collections and what it means to be open to the public online as well as in real…

“Generative AI & the Creative Cycle Panel” by Jennryn Wetzler for CC BY 4.0.

This week, Creative Commons (CC) convened 100+ participants during two events in New York City to discuss the important issues surrounding generative artificial intelligence (AI), copyright, and creativity. For many years, we at CC have been examining the interplay between copyright and generative AI, exploring ways in which this technology can foster creativity and better…