Search
DMusic Offers Creative Commons Licenses to its User Base Of 300,000
by matt About CC postOldest independent digital music community and Silicon Valley nonprofit announce new copyright option for musicians Palo Alto, CA and Jenkintown, PA, USA – DMusic, the first and oldest independent digital music community, announced today that it will offer Creative Commons licenses as an option to all DMusic contributing musicians. The licenses, provided by the nonprofit…
MIT and Jack Valenti have a chat
by matt Uncategorized postMIT’s The Tech newspaper recently sat down with Motion Picture Association of America head Jack Valenti for an interview about digital rights. The writer, a MIT engineering student, probes (perhaps a bit too tenaciously) the bad side of the DMCA, namely DVD encryption and playback on Linux, which is currently illegal. In the end it’s…
9 beet stretch
by matt Uncategorized postHere’s an interesting use of music in the public domain. 9 beet stretch is the act of using digital tools to slow down Beethoven’s 9th symphony to the point where the piece takes 24 hours to complete. Next week, a 9 beet stretch will be taking place in San Francisco, at 964 Natoma, from Friday…
School of Rock
by glenn Uncategorized postToday I had one of the best experiences of my time at Creative Commons, which is saying a lot. I had the pleasure of visiting the Chandler School in Pasadena, CA, USA, to talk about copyright and Creative Commons. Some 200 sixth-, seventh-, and eighth-graders and I talked about the ins and outs and dos…
Nice survey of the sampling scene
by matt Uncategorized postVictor Stone, previously mentioned here for his great remixes on our last CD, recently signed onto Magnatune with a plethora of remixed tracks from Magnatune itself. He also recently launched a site dedicated to sharing tips and reviews of the software he uses when creating music. A post definitely worth sharing here is the one…
9th Circuit Rules on Sampling
by glenn Uncategorized postThe U.S. Court of Appeals for the 9th Circuit (in California) ruled yesterday that the Beastie Boys’ sampling of a three-note segment of James Newton’s composition to the song “Choir” did not infringe Newton’s copyright. The court ruled that the sample was a “de minimis” — or trivial — instance of copying and thus not…
Commons on the Hustings, II
by glenn Uncategorized postOur licenses make another appearance on the campaign trail. Check out AmericansForDean.
Supreme Court Audio Classics Enter P2P Zone Thanks to Creative Commons Licenses
by matt About CC postCreative Commons Also Rolls Out Strategy for Embedding and Verifying License Information in MP3s and Other Files Palo Alto and Chicago, USA — Creative Commons and the OYEZ Project announced today the first-stage 100-hour release of MP3s from the Project’s 2000+ hours of Supreme Court recordings using Creative Commons’ machine-readable copyright licenses. Creative Commons also…
Creative Commons Welcomes Joi Ito to Board of Directors
by matt About CC postSan Francisco- and Tokyo-based venture capitalist, technologist, and policy expert joins leadership of the Silicon Valley nonprofit Palo Alto, USA — Creative Commons, a nonprofit corporation dedicated to expanding the world of reusable content online, announced today that Joichi Ito has joined its Board of Directors. Ito is a venture capitalist, technologist, and internationally popular…
Creative Commons and Negativland Begin Work on Free Sampling and Collage
by matt About CC postThe Silicon Valley Nonprofit Also Rolls Out New Model for Community Participation Palo Alto, California, USA – May 29, 2003 – Creative Commons, a nonprofit dedicated to building a layer of reasonable copyright, announced today that it would begin development of the Sampling License, a copyright tool designed to let artists encourage the creative transformation…