We’re not quite sure what is in the water down under, but more great news keeps piling in from our friends at CCau – on 29 September the Sydney Arts Management Advisory Group (SAMAG) are running a seminar entitled “Copyleft or Copyright: Alternative licensing models in the digital era: promotion or protection” which promises to “explore how the landscape has changed since the analogue era and what this means for the creators of copyright.”
Delia Browne will be presenting on behalf of CCau, along with David Noakes from the Film Finance Corporation (FFC) and Scot Morris from the Australasian Performing Rights Association (APRA). Details below:
When: 6pm – 8pm, Monday 29 September 2008
Where: Australia Council: 372 Elizabeth Street, Surry Hills
How: RSVP by 9/25 to Janelle Prescott – info AT samag DOT org – or (02) 8250 5722 (msg only)
Cost: FREE ENTRY for 2008 SAMAG Members / $10 for non-members / $5 for students
Digital Fringe, a program that will be taking place during the 2008 Melbourne Film Festival, recentlly issued a call for material to screen during this year’s program. Taking place between the 9/24 – 10/12, the material will vary in form and content with DF broadcasting the submissions anywhere and everywhere – from public screens to TVs in shop windows to the web. From CCau:
Run out of the experimental media bar, Horse Bazaar (one of my favourite places in Melbourne – check out the men’s toilets!), Digital Fringe showcases the work of emerging and established new media artists on hundreds of screens across Victoria. Contributions can be from anywhere in the world and can be in any form, from works by professional artists to kindergarten multimedia projects and everything in between. You provide the material, they provide the novel environment – whether it be a bar, a gallery, a wall or even a mobile phone. They even have a Mobile Projection Unit, which moves around Melbourne from dusk, projecting onto buildings and structures and interacting with the citylife and local goings on.
And our favourite bit (as always) – the copyright. All artists retain full copyright in their works, and are free to license them however they like, from all rights reserved to public domain. However, in the spirit or sharing and experimentation, Digital Fringe encourages the use of Creative Commons licences.
Congratulations to former Creative Commons General Counsel Mia Garlick, who has joined the Australian government to lead its digital economy initiatives:
iTWire has learnt that Mia Garlick, an Australian lawyer who was most recently product counsel for YouTube, has been appointed to head the Australian Government’s drive for the digital economy future, as assistant secretary in the Department of Broadband Communications and the Digital Economy (BCDE)
Her appointment is linked to communications minister Stephen Conroy’s announcement this week of plans to prepare Australia for the future ‘digital economy’. In preparation for this initiative the department advertised in May for “a talented and highly motivated senior manager to lead the Digital Economy Branch within the Department…[to provide] leadership and strategic direction to a branch with responsibility for the development of the digital economy in Australia.”
While at CC, Mia led development of the CC version 3.0 licenses and nearly every other project we undertook during her tenure, in addition to undertaking regular speaking engagements worldwide. Her intelligence, energy, and wit are certainly just what the Australian digital economy needs. Good luck!
It’s also worth noting that Creative Commons Australia has long been a leading CC jurisdiction project, especially in the field of public sector information. Just in the last week the National Innovation Review recommended CC and a minister immediately endorsed the recommendation.Comments Off
CC Australia writes about an important report that advises Australian governments to follow open publishing standards and recommends using a Creative Commons license for government material released for public information.
Those interested in open access to public sector information will be excited to see the results of a recently released Australian Federal Government Review of the National Innovation System, http://www.innovation.gov.au/innovationreview.
The final report, titled VenturousAustralia, was prepared for Senator Kim Carr, Minister for Innovation, Industry, Science and Research, by consultants Culter and Co, headed up by industry consultant and strategy adviser Dr Terry Cutler. It places a strong emphasis on open innovation, stating in the introduction:
“Today innovation is understood to involve much more than the transmission of knowledge down the pipeline of production from research to development to application. In the age of the internet, with the opportunities for collaboration which it opens up, open innovation is increasingly important.”
Most importantly from an open access point of view, it was Recommendation 7.8 which is most exciting:
“Australian governments should adopt international standards of open publishing as far as possible. Material released for public information by Australian governments should be released under a creative commons licence.”
The full report is available at http://www.innovation.gov.au/innovationreview/Documents/NIS-review-web.pdf.1 Comment »
Great news coming in from our friends at CC Australia – the ABC, Australia’s national public broadcaster, just launched a CC-friendly social media space, Pool, which is designed to provide a “place for creative content makers to upload their work, publish and collaborate.” Pool offers users the ability to upload their content – whatever the medium – under the full suite of CC licences (as well as All Rights Reserved) for other users to reuse and share. From the CCau:
As Pool’s Executive Producer, Sherre Delys, puts it in this interview with Radio National’s The Media Report, the CC licensing means that “POOL starts to be a place where you can connect with others, and so for some that will take the form of online mentoring and skill-sharing; for others it’s a collaborative work space, they can download each other’s work, re-mix and re-use, and it also includes collaboration between ABC producers and audiences, and I think that’s really critical.” And in a first for the national broadcaster, Sherre also talks about Pool’s intention to release ABC archival footage for remix by it’s audience, sometime in the near future.