Hubble Space Telescope and Earth Limb / NASA on The Commons / No known copyright restrictions
If you could send a folder with 50 MB of content to every human on Earth, what would you include? This weekend Creative Commons volunteers and Outernet are hosting a CC Content Edit-a-thon to populate the first Outernet library to be broadcast from space. The edit-a-thon will take place at Mozilla Festival East Africa (MozFestEA) in a weekend-long track that will be kicked off Saturday morning by Outernet and CC volunteers from Uganda and Kenya. During the first hour, Outernet will introduce the initiative and set guidelines, and CC volunteers will provide basic knowledge and training about how and where to find open content. This first hour will be recorded and posted to the Outernet wiki and Outernet’s YouTube channel so that anyone in the world may participate.
Remote participation from anywhere in the world is encouraged! Here’s how you, your friends and colleagues can participate:
- Tell people about it! Send them to this blog post, or this one by Outernet, or http://editathon.outernet.is and tweet using #LibraryFromSpace.
- Re-post this on your own blog – this blog post is public domain (CC0).
- Register (free) to help Outernet anticipate the number of participants.
- Come to a physical edit-a-thon. In addition to the MozFestEA session in Kampala, Uganda, CC volunteers in Guatemala will host their own satellite edit-a-thon to start building a CC library in Spanish for Latin America. CC volunteers in Nigeria will participate remotely as well.
- On 18-19 July, head over to the Outernet wiki: https://wiki.outernet.is/wiki/Outernet_Wiki. Video, guidelines, directions, and the links to where you’ll be curating, creating, and editing open content will all be here. There will also be an open chatroom to communicate directly with MozFestEA participants and CC volunteers in Guatemala, Nigeria, and anywhere.
We hope to find and curate the best content for each country that is openly licensed or in the public domain. All new content created as part of this event will be licensed under the Creative Commons Attribution license.
In addition, Outernet is working on its CC platform integration to provide options for individuals who want to release their content into the public domain (via CC0) or under CC licenses.
Outernet and CC volunteers are building a library that everyone can enjoy, even without an Internet connection. Be one of the first to put content on its shelves!
More about Outernet
Outernet is Humanity’s Public Library, a free data signal broadcast from space that eludes censorship and is publicly editable. To receive the Outernet signal, a user can build their own receiver or purchase one from Outernet. Once an Outernet receiver is active, a user can browse the content they have received using any Wi-Fi enabled device.
More about MozFestEA
MozFestEA brings together different groups of people to build open innovative solutions and to brainstorm ideas and solutions to the current challenges in East Africa with the help of the web as a platform and web literacy. This years MozFestEA will take place at Victoria University in Kampala, Uganda on 17-19, July 2015.1 Comment »
One year ago, CC announced the Affiliate Project Grants to support and expand CC’s global network of dedicated experts. With a little help from Google, we were able to increase the capacity of CC’s Affiliates to undertake projects around the world benefiting a more free, open, and innovative internet.
We received over 70 applicants, and we were able to fund 18 to tackle important work in their country – work like using music to break down physical barriers and give Palestinians a voice, gathering leaders in Tanzania to discuss how sharing information can help prevent diabetes, and helping Romanian librarians provide quality educational materials to all.
Watching these projects unfold over the last several months has been reaffirming for everyone at CC. The Affiliates are central to CC’s work, without whom we would simply not be closer to our goal of a more open internet.
Click here to find out the full details of the different grants, and read on to see what our 18 teams had to say on the results they achieved, motivations for their projects, the work still to be done, and lessons learned.
“We are pleased that we were able to impact the way the people who shared their stories with us think about the concept of sharing stories. Some people when they were asked before to share their suffering and their personal stories on video were not totally sure they wanted to do it, but after seeing the output of their stories reflected on by poets and artists from all over the world, we think we were able to provide them a platform to express themselves and feel part of a greater community that is sharing the same hopes and fears.
[We want to expand] the project concept to other marginalized communities around the world.”
-Bashar Lubbad, Palestine, “Hope Spoken/Broken: Change in the Eyes of Palestinian Refugees”
“The result was publication of a guide on free culture movements in Arabic and a website where it can be downloaded freely in e-book format: www.freecultureguide.net. We target artists, journalists, bloggers and other content creators and the general public who is unfamiliar to the free culture movement and concepts, as this is the first book of its kind in Arabic about this topic.”
-Ahmed Mansour, CC Morocco, “Creative BookSprint“
“Lack of consumer level tools is still seen as a major obstacle in CC adoption. WpLicense is now a tool that can be applied to millions of blogs.”
-Tarmo Toikkanen, CC Finland, “WordPress License Revived”
“More concretely, participants learnt how to: adapt traditional services to a non-traditional model; locate learning objects that can be reused under CC licence; investigate and use alternative publishing platforms; and apply project management processes to a hack project.”
-Matt McGregor, CC New Zealand, “Media Text Hack“
“Museums and other memory institutions in Taiwan often have their collections digitized.
A major part of the digitized works shall be in the public domain. However, many of these institutions often keep these works in the equivalents of digital safes, and there are no easy ways to access and reuse them. Together with Netivism Ltd. (a social enterprise based in Taipei) CC Taiwan engaged with memory institutions and independent collectors in Taiwan about the tools and practices for public domain repositories.
Exemplary public domain repositories are being setup using MediaGoblin (a free software package for hosting media collections) with new extensions developed for and supported by this project grant.”
-Tyng-Ruey Chuang, CC Taiwan, “Practices and Depositories for the Public Domain”
“As a result of the interaction, the students were able to experience the Open culture which has caused a boom in the Kenyan tech scene. They identified industries that were etched on the sole foundation of Open tools in Kenya and were able to understand more experientially than before, the importance of such ideals.”
-Simeon Oriko, CC Kenya, “School of Open Kenya Initiative“
“Obami, a platform for resource exchange for elementary school students, has seen a number of copyright violations. Instead of policing kids’ actions, the Creative Commons for Kids program will teach kids how to open and share their creative and educational works legally through the use of CC licenses […] introducing Creative Commons to the next generation of Africa.”
-Kelsey Wiens, CC South Africa, “Creative Commons For Kids”
“Despite all the work we have done, CC is still an unknown concept to most people in the Arab region. We live in a copy/paste region where it will take a lot of hard work for people to understand the concepts of attribution. After a series of CC presentations in local schools (ages 12 to 18), we found that CC awareness is almost non-existent. On the other hand, our videos at wezank.com have been very popular online and we believe that using this asset to spread CC’s mission & vision would be highly effective across the region. [… This project] is about creating content in Arabic for the CC community, and at any stage, anyone wishing to present CC in Arabic will be able to use those videos.”
–Maya Zankoul, CC Lebanon, “CC Simply Explained in Arabic“
“[Information is power]… In Africa, this rich geography of information doesn’t yet exist. And not because there isn’t the richness of knowledge, history or place, but, for a number of reasons, because there is little culture of contribution to the Internet.”
-Kelsey Wiens, Cross Regional Africa, “Activate Africa”
“If the government [in Japan] adopts CC BY or CC zero, data released under these terms will bring scalable impact on the public in a sense that it will help reuse of government data with minimum restrictions. The workshop materials are open to the public, and some of the attendees will learn to teach others, which give the project some ripple effects beyond its immediate outcomes.”
-Tomoaki Watanabe, CC Japan, “Workshops and Symposium for Open Data in Japan”
“In the Arab world there were several personalities who have a positive influence in the history of their country, in different areas. That’s why I wish to publish with the help of the Arab community, an Arabic book under CC license, which tells us their lives, stories, and their influence on their own countries.”
-Faiza Souici, CC Algeria, “Arabic Icons”
“In Colombia, libraries and librarians have become one of the important civil society groups that are collectively seeking information, understanding and participating in public spaces trying to redefine copyright as a tool for access to knowledge and not just as a source of income for some people. […] The material in this course will be open as a self-guided course that can be tapped on demand — individually, at a user-preferred time and date. Moreover, the course can be harnessed as a group, from a collective or specific institution, to be facilitated according to the possibilities and conditions of a given community.”
–Maritza Sanchez, CC Colombia / El Salvador / Uruguay, “An Online Course on Basic Copyright for Latinamerican Librarians”
Work on the Horizon
“Latin Americans are creating and freely making available high quality and innovative music independently from big companies. But it is necessary to work better on both musicians understanding their rights and the power of sharing.”
-Renata Avila, CC Guatemala, “Promoting Free Music in Central and South America”
“While Chile has encouraged the creation of open access journals nationwide, researchers with high rates of publication and citation do not see them as a real possibility when publishing. Any policy to promote the creation of journals in Chile should consider factors that give them an edge in the scientific circuit and thus becoming a real possibility by leading Chilean scientists.”
-Francisco Vera, CC Chile, “Promotion of Open Knowledge in the Chilean Academia: Ways to Facilitate Adoption of Creative Commons in the Academic World“
“The conclusion of this project is that there are only building blocks for Open Educational Resources (OER) in Romania since at the moment there is not a clear OER practice – only grassroots initiatives or projects with huge potential of becoming OER. Most of the projects we discovered in essence share the same philosophy behind OER, but they nevertheless omit to attribute a license for the created resources. In conclusion, more awareness and training activities are needed in order to reach a level of maturity regarding OER and their use.”
-Bogdan Manolea, CC Romania, “OER Awareness Activities for Librarians and Academics in Romania“
CC Romania / CC BY
“Because many pupils and students cannot access hard copy textbooks which are discouragingly expensive, the importance of Creative Commons licenses in closing the literacy gaps which have been brought about by income inequality cannot be overstated.”
-Moses Mulumba, CC Uganda, “Promoting Creative Commons Initiatives in Uganda“
“The lessons that I learnt and which I can share is that grants from CC headquarters however, small [has great] potential impact to CC Affiliates as it acts as catalysts to the Affiliates to keep things going and mobilizing other funds locally.”
-Paul Kihwelo, CC Tanzania, “Tanzania Creative Commons Salon“
“We learnt that there is a high level of interest in Creative Commons in Ireland, and a need to continuously engage with people who are interested in Creative Commons.”
-Darius Whelan, CC Ireland, “Awareness-raising Event in Dublin, January 2014”
This is the final installment in our five week blog post series on the Affiliate Team project grants. You’ve heard about projects in Africa, Arab World, Asia-Pacific, and Europe. Today, you’ll hear about projects from our Latin America region, including: a report on the evolution of the academic journals’ presence and dissemination in Chile, a School of Open course for librarians on copyright led by Colombia, El Salvador, and Uruguay, and a free music festival and open source website from Guatemala and Uruguay.
Chile: Promotion of Open Knowledge in the Chilean Academia: Ways to Facilitate Adoption of Creative Commons in the Academic World
by project lead Francisco Vera
In Derechos Digitales, we have been working almost 10 years on copyright and access to knowledge issues, by doing public advocacy on copyright reform and working with Creative Commons licenses to enable all kind of creators to share their works in the digital environment, through the use of these tools.
One of our stronger research lines has to do with scientific and scholarly work, how this knowledge is being disseminated, and how we can improve that process to make this information accessible to everybody interested.
Following that path, since 2008 we have been researching academic journals production and their publishing terms, along with creating legal guides to academics to get a sense of how to use CC licenses and make them able to share their work. That allowed us to publish a couple books with our findings and internal policy recommendations.
Thanks to the CC grant we were awarded, we have been able to resume that work, updating our figures from the 2008 research and taking one step further, conducting field research on the academic community about the way they publish and manage that content, and if they are aware of the CC and Open Access movements.
At this point, we have interviewed scholars from the major Chilean universities in different fields on exact and social sciences to be aware of their perceptions and needs regarding open access. In parallel, we are researching academic publications to determine how the situation has evolved from 2008 to this day, in terms of journal continuity but also in terms of how these deal with publishing formats and licensing terms.
We hope, by April this year, to have a step forward on our diagnosis of the academic dissemination environment, and with more insights of the academic world, a report that speaks on the evolution of the journals’ presence and dissemination. We also hope to have performed a couple workshops with government officers and academic community, in order to boost open access and open licensing initiatives.
Colombia, El Salvador, Uruguay: ABC of Copyright for Librarians
by project lead Maritza Sanchez
A CC grant made possible that since August 2013, three Creative Commons chapters -Colombia, El Salvador and Uruguay- are working to adapt an online course for librarians about copyright and with an eye on the Open world.
The project aims to develop the necessary open educational resources (OER) for an online course, self-taught and in Spanish, that will be available through the School of Open, and eventually in the OER projects of the chapters developing the course (i.e. Internet Activa and Artica).
Why Basic Copyright Concepts for Librarians? It is not a secret that many librarians and libraries in Latin America work with little or no knowledge about the copyright frame. We want to offer this target group and other related professionals (e.g. academic researchers, teachers, OER developers, librarian students, archivists, museum workers, all those interested on heritage conservation, etc.) the basic knowledge for their work.
We believe that this knowledge is much needed right now and will also be useful to promote CC licenses among librarians in the region.
The material in this course will be open as a self-guided course that can be tapped on demand — individually, at a user-preferred time and date. Moreover, the course can be harnessed as a group, from a collective or specific institution, to be facilitated according to the possibilities and conditions of a given community.
We are currently finalizing the legal and pedagogical review process of the last module of the course that we have titled, “ABC Copyright.” The legal review ensures the strengthening of self-learning potential of all students, while the pedagogical review is valuable to contextualize accurately and clearly each module to Latin American culture. We are also working on building a communication strategy which will be essential once the course is published at the School of Open for the dissemination to the audience of this open educational material. We have already developed the graphic concept, which we share as a preview in this post! We are at the stage of creating new graphic elements that will complement some of the most complex issues and will make their assimilation much easier.
We are working with love and energy so that very soon all those curious and interested can learn, share and supplement the online course, ABC Copyright for Librarians in Latin America!
Guatemala, Uruguay: Promoting Free Music in Central and South America
by Meryl Mohan (project lead: Renata Avila)
This project, a collaboration between CC Guatemala and Uruguay, was drafted following the suggestions of six bands who are starting to use open licenses in Guatemala. It represents a unique opportunity to reconnect and expand the open license network in the Latin American music community, consisting of an open call for free music followed by a week dedicated to festivals and concerts in multiple jurisdictions. Each country will have at least ten bands participating, and is combined with training for musicians, producers, artists, and copyright experts to explain artists’ rights, how copyright law affects music, and the power of sharing. The activities will be posted on an open source website filled with the LP of Latin American free music, photos and videos of the workshop, a free music declaration, and showcase of successful cases in Latin America and all the activities of the free music week. Since it’s open source, anyone can use it to recreate the same project in their region or country.1 Comment »
We are honored and proud to present the second letter in this year’s Commoner Letter series, written by CC Guatemala Project Lead, Renata Avila. In addition to her passionate work heading off the successful launch last month of Creative Commons licenses in Guatemala, Renata is also a human rights lawyer and a frequent author for Global Voices Online, an international citizen journalism project. As you will see in this letter, some of CC’s most inspiring stories come from our international community; they help remind us why CC and the Commons are vital and how they have the power to effect positive change in ways that may never have seemed possible.
There are only three more commoner letters left in this year’s series. If you would like to receive them via email, please sign up here. To help keep Creative Commons running, which includes Creative Commons International, please donate today!
The Creative Commons enables us to connect with people from other cultures, share ideas, and solve problems together. It is a tool that gives voice to creativity, and allows us to share symbolic space within society, charting alternative routes to inclusion across the continents, in all languages.
My country, Guatemala, is an amazing place where indigenous communities and Spanish speakers share a diverse cultural space. The diversity extends from the culture to the landscapes, right down to the way we communicate. There are 22 indigenous languages in active use by Guatemalan communities across mountains, two oceans, and 33 volcanoes. Sadly, our country was affected profoundly by more than 30 years of civil strife until the mid-90s, and is only now emerging from a long period of violence and racism, exclusion and social disparity.
Poverty in Guatemala is high and deep, and the country has remarkably unequal distributions of income, resources and opportunities. In my work as a human rights lawyer, I have experienced in a very personal way that the potential of our cultural commons and national heritage is disconnected and unrealized.
Each of our indigenous communities treasures a legacy of scientific and technical knowledge, artistic and aesthetic values of their own, but they need the tools to open their culture to others and share both
ways. We need to find ways to overcome linguistic, technical and social barriers, and build connections with Spanish-speakers completely disconnected from their reality. To create a common culture is a challenge and a necessity to improve living conditions and assure peace. As in many other developing countries, basic necessities such as food, potable water and medical care certainly have priority. But how can we communicate to the world that we are in fact a rich country, in the sense of how we create and preserve culture? How do we connect different visions of the world within the same country?
I decided to spearhead the launch of Creative Commons Licenses in Guatemala as a tool to help connect our cultural commons. Now the Guatemalan Ministry of Education is using cc for a Schools of the Future project with books and materials with Creative Commons licenses to help breach the digital divide. One of the most prestigious universities in the country, Franscisco Marroquín University, have released their online educational resources to the Commons too.
Internationalization and localization of the Creative Commons licenses is more than just a technical, legal process. It enables creative, verbal and nonverbal forms of expression as a vehicle to share and
learn from one another. Through human connections we can discover treasures that reshape our understanding of concepts like “development”, “wealth” and “others”. We can begin to cross the mental
and geographic borders that divide us.
As an author for Global Voices Online, one of the most successful examples of global cultural exchange using Creative Commons licenses; and as a lawyer dealing with the complexities of multilingual, developing countries in transition to peace, I believe that open tools such as the Creative Commons are essential for creating better societies. We have a lot to learn from each other. With this letter I challenge you to allow yourself to be embraced by another world.Comments Off on Commoner Letter #2 – Renata Avila, CC Guatemala
On October 23 in Guatemala City, the UFM‘s New Media Centre will host an event to celebrate the localized Guatemalan licenses, available soon online. Jimmy Wales, Creative Commons Board member, will hold the keynote address Free to choose, to create, to innovate, to learn, to imagine.
CC Guatemala’s institutional host, UFM and its New Media Center, will be releasing a vast amount of material and education resources under the Guatemalan licenses. The Lienzo de Quauhquechollan: A Chronicle of Conquest will be available under a localized CC license as well.
In other exciting news, the region’s first orphan works rescue program will be initiated by the University’s Ludwig von Mises Library. The program will scan twentieth-century Central American works in cooperation with the Internet Archive. More open content and open education programs in Latin America will be discussed this November 19-21 at the Latam Commons 2008 conference in Santiago, Chile.
Congratulations to CC Guatemala and Project Lead Renata Avila!1 Comment »