Free Culture, Free Software, and Free Content will again join forces under the banner of “Free Society” at FSCONS 2009 in Gothenburg, Sweden, 13-15th November. The organizers, Creative Commons Sweden, Free Software Foundation Europe, and Wikimedia Sverige, have just announced the conference’s Call for Participation.
Last year’s conference featured a host of workshops and speakers, including CC’s Mike Linksvayer on “How far is free culture behind free software?” and Victor Stone on ccMixter‘s solution to online attribution via Sample Pool API.
We’re looking forward to what this year’s FSCONS has in store. Submissions close on June 21, so send in your proposal soon!No Comments »
Creative Commons International (CCi) is moving! Leaving our office in Berlin-Mitte, we’ll be moving to Berlin-Schöneberg to share workspace with Wikimedia Germany. Our move builds upon existing collaborations with local Wikimedia projects and the hope of continued support and unified efforts. To date, CCi has teamed up with Wikimedia Serbia, one of the institutional hosts of the CC Serbia project, and Wikimedia Indonesia will soon begin overseeing the porting of the CC licenses to Indonesian law. Nordic CC and Wikimedia communities are also strengthening ties, as demonstrated by the recent “free society” conference FSCONS, organized by CC Sweden, Wikimedia Sweden, and the Free Software Foundation Europe.
It is our hope that the office share will build bridges across projects, people, and resources. As reported last month, the Wikimedia/Wikipedia community is now deciding whether to offer wiki content under CC BY-SA 3.0. These discussions follow the Free Software Foundation’s release of version 1.3 of its Free Documentation License containing language which allows FDL-licensed wikis to republish FDL content under the CC Attribution-ShareAlike license until August 1, 2009.
Read more about the move in our press release.
Good news reaches another Wikimedia project, Wikimedia Commons, which hosts hundreds of thousands of freely licensed Creative Commons media and serves as the multimedia back-end of Wikipedia. Everyone is encouraged to upload as much educational free media as they can in order to benefit the commons, and this is exactly what the German Federal Archive has decided to do.
Since December 4th, the archive is uploading around 100,000 photos to Wikimedia Commons, all licensed under our Attribution-ShareAlike license. The subject matter varies from not-so-ordinary street scenes to famous German sights, but all of the photos are high quality and offer great snapshots of modern German history. Check out the contributions from BArchBot to keep an eye as the uploads progress over the next couple of weeks.
Image: “Schwerin, Neujahr, Feuerwerk” by Ralf Pätzold, made available under a Creative Commons Attribution-ShareAlike 3.0 Germany License by the Deutsches Bundesarchiv (German Federal Archive), Bild 183-Z1228-001.No Comments »
Free Culture, Free Software, and Free Content will join forces under the banner of “Free Society” at FSCONS on October 24-26 at the IT University of Götheborg, Sweden. The orgnaizing trinity, Creative Commons Sweden, Free Software Foundation Europe, and Wikimedia Sverige, see FSCONS as a chance to reach out with their respective communities and build joint projects with like-minded activists and organizations.
A strong speakers lineup provides the rhetorical food-for-thought in the Free Culture track. Mike Linksvayer (Creative Commons) asks, “How far is free culture behind free software?” as he charts key indicators and historical factors in the progress of each. Eva Hemmungs Wirten argues that the digital commons extends back to nineteenth-century London, while Oscar Swartz keynotes the events with the warning that Sweden’s controversial “Lex Orwell” may usher in “The End of Free Communication”.
Nikolaj Hald Nielsen spotlights Amarok 2, the intuitive music player for Linux and Unix, demonstrating a viable intersection of Free Culture and Free Software. Meanwhile, other landscapes are being analyzed by Inga Walling (Open Street Map), who recounts the project’s efforts to create and provide free geographic data.
John Buckman (Magnatune) riffs on “Squeezing the Evil out of the Music Industry” by using CC licensing to rethink record labels. And since online attribution persists as a thorny issues for many music content sites, Victor Stone (ccMixter) reports on how some platforms are solving the problem with the Sample Pool API.
The blend of timely topics and kindred communities makes FSCONS an exciting event to follow this autumn. Thanks a lot to the organizing teams for their efforts — we’re looking forward to this!No Comments »