Skip to content

Author:

CC Open Education Platform Activities Fund: Six Winners!

Open Education
Openness and Collaboration collage "Openness and Collaboration" by Paul Downey (CC BY 2.0).

Creative Commons is proud to announce six winning project proposals from the inaugural round of the CC Open Education Platform Activities Fund! The CC Open Education Platform is a vibrant, international network of over 1120 open education advocates, educators, librarians, lawmakers, graduate students, and more, spanning 79 countries. This year, CC launched an activities fund…

Creative Commons Is Now Leading the Open COVID Pledge—Here’s What That Means

About CC

We’re pleased to announce today that Creative Commons is taking on leadership and stewardship of the Open COVID Pledge. Earlier this year, CC joined forces with an international group of researchers, scientists, academics, and lawyers seeking to accelerate the development of diagnostics, vaccines, therapeutics, medical equipment, and software solutions that might be used to assist…

Meet the Program Committee Making the 2020 CC Global Summit a Reality!

Events
Susanna Ånäs Photo of Susanna Ånäs by Sebastiaan ter Burg (CC BY 2.0) for Faces of the Commons 2019.

At Creative Commons, we value sharing, openness, and gratitude. Over the last few months, we’ve had the privilege of working with a group of global volunteers who embody these values. In order to make the CC Global Summit a reality each year, we enlist the help of dozens of volunteers, many of whom are members…

Introducing Our Google Season of Docs 2020 Participants

Community, Technology
Google Season of Docs 2020 Participants Google Season of Docs 2020 Participants

Code is just one part of open source;  good documentation is essential for both users and contributors in order for open source projects to succeed. We’re excited to announce that Creative Commons is participating for the first time in Google Season of Docs, a program that pairs experienced technical writers with open source projects in…

Why cOAlition S’ Rights Retention Strategy Protects Researchers

Copyright
2010 PopTech Science and Public Leadership Fellows talking together Credit: 2010 PopTech Science and Public Leadership Fellows by PopTech (CC BY-SA 2.0).

Last month, cOAlition S released its Rights Retention Strategy to safeguard researchers’ intellectual ownership rights and suppress unreasonable embargo periods—Creative Commons (CC) keenly supports this initiative.  Modernizing an outdated academic publishing system  Under a traditional publishing model, researchers who want to publish their articles in a journal typically need to assign or exclusively license their…

Meet CC Netherlands, Our Next Feature for CC Network Fridays!

Community
CC Network Fridays: CC Nederland

Last month we introduced the CC Chapter in Italy to you! This month we’re traveling north to the CC Chapter in The Netherlands! The Creative Commons Global Network (CCGN) consists of 43 CC Country Chapters spread across the globe. They’re the home for a community of advocates, activists, educators, artists, lawyers, and users who share…

Your Chance to Perform for the CC Global Summit!

Events, Open Culture
CC Global Summit logo with two icons

The wrap-up party for the annual CC Global Summit is always incredible, featuring local artists and musicians who send us off in style. Of course, things are a little different this year as we’ve transformed our in-person event to an entirely virtual one—but that doesn’t mean we can’t find a way to party together like…

Artificial Intelligence and Creativity: Why We’re Against Copyright Protection for AI-Generated Output

Copyright
A collage of a scientist staring at computer screens Image: "Love is Art Science 95" by Kollage Kid, licensed CC BY-NC 2.0.

Should novel output (such as music, artworks, poems, etc.) generated by artificial intelligence1 (AI) be protected by copyright? While this question seems straightforward, the answer certainly isn’t. It brings together technical, legal, and philosophical questions regarding “creativity,” and whether machines can be considered “authors” that produce “original” works. In search of an answer, we ran…