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People Like Us/Vicki Bennett
by derek Copyright, Open CultureCollagist People Like Us (a.k.a. Vicki Bennett) is most at home exploring fault lines — artistic, emotional, legal. Take “Going Out of My Town,” one of many songs Bennett has made available under a Creative Commons license. It starts with an unsettling assortment of pops and fizzes, then introduces an acoustic guitar sample under a…
Wall Street Journal on the Sampling Licenses
by mike Open Cultureby Ethan Smith, Staff Reporter of The Wall Street Journal For some people, the future of copyright law is here, and it looks a lot like Gilberto Gil. The Brazilian singer-songwriter plans to release a groundbreaking CD this winter, which will include three of his biggest hits from the 1970s. It isn’t the content of…
DJ Spooky and Roger McGuinn interviews
by neeru Open CulturePhoto © Iñaki Vinaixa Dj Spooky (aka Paul Miller) is a multimedia DJ and Creative Commons advocate who remixes not only music but also film/cinema and fine art. Spooky’s film Rebirth of a Nation intersperses modern images with cuts from D.W. Griffith’s Birth of a Nation (now in the public domain) to create a new…
Magnatune
by glenn Open CultureMagnatune provides “Internet music without the guilt.” Based in Berkeley, California, Magnatune is a record label with a 21st Century business model, offering consumers a unique mix of free and paid music. One of the first for-profit companies to adopt Creative Commons’ copyright licenses into its strategy, Magnatune has amassed both an impressive buzz and…
Fading Ways
by neeru Open CultureFading Ways is a Canada & UK indie-label that has international reach. In addition to having national distribution throughout Canada, FW is distributed in several European countries and its UK operation have recently launched an online music store. Fading Ways also utilizes an innovative marketing approach with “street teams” of fans (see: 1, 2) based…
Freesound
by mike Open CultureFreesound is a repository of CC-licensed samples … around 20,000 samples, recently integrated with ccMixter via the Sample Pool API. We recently spoke to Bram de Jong, Freesound founder and researcher at the Music Technology Group of Universitat Pompeu Fabra in Barcelona. Creative Commons (“CC”): How did Freesound come about? Bram de Jong, Freesound Founder…
Open Democracy
by mia Open CultureopenDemocracy is an online magazine that provides a forum in which global issues relating to politics and culture are debated, many of which do not receive sufficient or sufficiently careful attention by the mainstream media. Its purpose is to “publish clarifying debates which help people make up their own minds.” Since 2001, openDemocracy.net has published…
From LA's Awesometown to New York City's SNL
by matt UncategorizedWired News posted an article yesterday covering the story of LA-based comedy collective The Lonely Island. Like most comedians, they spent years trying to get discovered but they did one thing unusual: they posted all their comedy shorts and songs to their extensive website with Creative Commons licenses. Thanks to their licensed music, they soon…
Share the Debate About the Future of Canadian Copyright Laws
by mia UncategorizedTo coincide with Canada’s new round of digital copyright reform in the form of Bill C-60, a new book has been released – ‘In the Public Interest: The Future of Canadian Copyright Law’ – online under a Creative Commons Attribution-NonCommercial-NoDerivatives 2.0 Canada license and in a physical format for CA$50. Bill C-60 has been proposed…
Gorillas using licenses in the wild
by mike UncategorizedNot quite, but gorillas have been observed using tools (a category that includes licenses and sticks) in the wild, as described in the widely publicized PLoS Biology paper First Observation of Tool Use in Wild Gorillas. Congratulations to the Public Library of Science (and the gorillas). This would be a good time to note that…