Another cool aspect of the WIRED show last week: Gil and Byrne both played a lot of covers. As Justin Cone’s award-winning Creative Commons film says, “Creativity always builds on the past . . .” Among his originals, Gil also played: –Cambalache (Enrique Santos Discepolo — a dark Argentine tango) –Imagine (John Lennon) –Three Little…
Flipping through Film Festival Today, I came across an article about actor Kevin Spacey‘s project Triggerstreet, an on-line community for indie filmmakers and screenwriters. Now, I’m fairly new to this movie stuff, so Triggerstreet may be old news for all I know. But I was intrigued by what I read in the piece and saw…
On Friday the 24th I attended the final day of IFP New York‘s week-long conference on independent film. I felt very lucky and humbled (frequent feelings lately) to be on an afternoon panel, “Responding to the Copyright Crisis,” with such heavies as Jonathan Taplin (producer of To Die For, Mean Streets, among other films); Marjorie…
From Stereophile magazine: “The November issue of Wired magazine will ship with a compilation CD intended to be shared by music fans . . .” (More.)
My favorite part of the WIRED concert last week were the two songs Gilberto Gil and David Byrne performed together. The first was called “Asa Branca,” a 1947 song penned by Luiz Gonzaga and Humberto Teixeira and based on a traditional Brazilian tune. Gil and Bryne traded verses in Portuguese and English as their percussionists…
Last week was a little like The Muppets Take Manhattan, only with cameos by Gilberto Gil and David Byrne instead of Liza Manelli and Ed Koch. Converging from as far as Berlin, Portland, San Francisco, and Tokyo, the Creative Commons team ran wild in the streets of New York, leaving us little time to explain…
Here’s a free link to the Wall Street Journal article on the WIRED CD that we mentioned a few days ago.
The traditional academic journal publishing model has readers pay very steep fees for access. Open access publishers are challenging this model with a new one that allows free public access, with costs paid by submission fees. The sustainability of the open access has been the subject of much debate. We’ve linked to a Nature forum…
More coverage of the forthcoming WIRED CD from Liberation, in France. (Rough translation of the headline: “Gil and Byrne release a CD that begs to be copied.”) The piece mentions the concert, a few of the artists from the CD, and other prominent Creative Commons licensors like Roger McGuinn and Robert Greenwald.
Fuller re-caps of the New York WIRED + Creative Commons concert with Gilberto Gil and David Byrne are on the way. (We’ve all just arrived back home after a very hectic and great week in the Big Apple.) For now, check out a couple of choice press accounts from the Wall Street Journal and the…