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The Global Lives Project
by cameron Open CultureThe Global Lives Project is a project that aims to “record 24 hours in the lives of ten people that roughly represent the diversity our planet’s population.” Accomplishing this via a volunteer-network dispersed through out the globe, GLP aggregates video for these subjects based on a unique spreadsheet approach to understand global demographics. All of…
Is Gatehouse's Complaint a Problem for Creative Commons?
by fbenenson About CCYou may have heard about Gatehouse Media suing the New York Times Co. over the linking of Creative Commons licensed news stories on the Times’ Boston.com. Zachary Seward over at the Nieman Journalism Lab has been covering the various developments of the case and most interestingly, an e-mail from Howard Owens (whom we highlighted in…
Foodista: CC-Powered Cooking Encyclopedia
by cameron Open CultureFoodista is a new online destination for those interested in all things culinary-related. The site is divided into four sections – recipes, foods, tools and techniques – and is based around the idea that community knowledge and sharing can result in a better resource than one built by a restricted and closed group. As such,…
Adam Singer on CC licenses and Music Promotion
by cameron Open CultureAdam Singer is a musician and “social media guru” who used his expertise in both fields to find a more harmonious means of online promotion. As a relatively “unknown artist”, Singer saw little return on efforts to profit from his works as CDs and digital downloads, selling only a few copies with “mixed results”. It…
Colbert Invites Discourages More Remixing
by fbenenson Open CultureAfter discovering the dozens of unauthorized and possibly infringing remix videos that resulted from his adamant calls not to remix his interview with CC founder, Lawrence Lessig, Stephen Colbert is mad. He’s so mad he featured a new segment and music video challenging fans not to remix his show any more. He reiterated this demand…
Michael Geist on Why Whitehouse.gov's Copyright Policy Matters
by fbenenson UncategorizedCanadian copyright scholar Michael Geist explains why Whitehouse.gov‘s adoption of our Attribution license for 3rd party content is important in light of Canada’s policy on government works: Now consider the Prime Minister of Canada’s copyright notice: The material on this site is covered by the provisions of the Copyright Act, by Canadian laws, policies, regulations…
CC Salon SF 2/11/09
by allison Events, Open EducationFor February’s salon, we’re thrilled to have the entire CC staff under one roof, coming from as far as Los Angeles, Dubai, Boston, and Berlin, and as near as SF’s SOMA district, to speak about what they’ve been up to internationally and in the realms of science, culture, and education. Whether you’ve been a fan…
CASH Music: Exploring Creative Commons Licensing in the Music Industry
by cameron Open CultureCASH Music, the CC license using music label/creative community we have discussed numerous times before, just launched a wonderful new Creative Commons Portal for understanding how CC licenses can be utilized by record labels and artists. The portal is beautifully designed with an emphasis on simplicity – an introduction to CC, hypothetical uses, and real…
Bandcamp Integrates CC-Licenses
by cameron Open Culture, TechnologyBandcamp, a feature-heavy music site that focuses on providing musicians with robust, easy-to-use, and visually pleasing artist pages, just integrated CC licensing options in to their UI: Hugs and kisses backatchu JD, and everyone else who requested Creative Commons support, then patiently worked around its absence by putting CC links in their tracks’ credits or…
NonCommercial study focus groups next month: SF, NYC, and online
by jennifer UncategorizedAs previously announced, Creative Commons is researching “noncommercial use”. Last year we conducted a number of focus groups and fielded a survey (thank you everyone who responded!) designed to collect information about how creators understand the distinction between commercial and noncommercial uses of their content. Now we want to talk to people about their experience…