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20CC: Open Works from CC’s 20th Anniversary

Events
A large black and white 20, where the 0 is the Creative Commons icon.

During 2021–2022, CC has been celebrating the 20th anniversary of our founding in 2001 and the first release of the CC licenses in 2002, successfully concluding an ambitious fundraising campaign to support programs like Open Culture, Open Climate, and Open Education, and to help ensure CC’s ongoing sustainability. In November 2022, CC brought the 20th anniversary celebration to an official…

Our Work in Policy at CC: Artificial Intelligence

Copyright
An aerial view of flat rural land with a few scattered clouds showing roads and structures that make the land look like a glowing gold circuit board.
Like A Giant Circuit Board” by Alan Levine is dedicated to the public domain via CC0 1.0; here modified with a filter and cropped.

As the year comes to a close, we’re spotlighting Creative Commons’ public policy work, recapping what we’ve done and looking ahead to the new year. In this edition, we turn to our work on artificial intelligence (AI). Recently, you might have seen the news headline “Art Made With Artificial Intelligence Wins at State Fair,” or…

Reimagine Open Culture with the Newly Relaunched Curationist.org

Open Culture

Exciting news — an initiative of the MHz Foundation, Curationist.org, a free-to-use platform that connects users to over 4.4 million digital artworks and cultural objects, recently relaunched with some amazing new features. On 7 December, they will host a guided experience of the new platform, and we hope to see you there. Register now. The…

Experts Weigh In: AI Inputs, AI Outputs and the Public Commons

Better Internet
Two images generated by AI side-by-side: On the left: A brightly colorful painting in the style of Hieronymus Bosch showing vaguely human figures climbing on and attending to a wooden Medieval-looking Rube Goldberg contraption involving wheels, levers, and spheres. On the right: A white robot with a look of concentration on their face, wearing a red cap and robe, holding a painter’s palette, painting something beyond the frame with a brush that has an abstract flower growing up from its handle.
AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.

On 9 and 10 November 2022, Creative Commons hosted a pair of webinars on artificial intelligence (AI). We assembled two panels of experts at the intersection of AI, art, data, and intellectual property law to look at issues related to AI inputs — works used in training and supplying AI — and another focused on…

CC’s Engagement on the EU Data Act

Copyright
A heavily pixelated blue European Union flag with pixels scattered across it in different colors.
“EU Pixelated” by Creative Commons was cropped from an image generated by the DALL-E 2 AI platform with the text prompt “pixel art of computer code streaming across an EU flag.” CC dedicates any rights it holds to the image to the public domain via CC0.

Recently, we provided an update on Creative Common’s engagement on the European Union’s draft Artificial Intelligence Act. We’ve also worked with policymakers and other stakeholders on another flagship EU legislative file — the draft Data Act. The European Commission published the Data Act proposal earlier this year, as a continuation of its EU’s overall data…

CC Certificate: Alumni interview with Jennifer Miller

Open Education

Launched in 2018, the Creative Commons Certificate program has trained and graduated 1255 people from 65 countries to date.  We celebrate the incredible projects in open knowledge and culture led by the graduates of our program. CC Certificate alumni have used the Certificate course knowledge in a number of ways—read about how alumni have worked…

Webinars: AI Inputs, Outputs and the Public Commons

Better Internet
Two images generated by AI side-by-side: On the left: A brightly colorful painting in the style of Hieronymus Bosch showing vaguely human figures climbing on and attending to a wooden Medieval-looking Rube Goldberg contraption involving wheels, levers, and spheres. On the right: A white robot with a look of concentration on their face, wearing a red cap and robe, holding a painter’s palette, painting something beyond the frame with a brush that has an abstract flower growing up from its handle.
AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.

Artificial intelligence (AI) has been exploding across the digital landscape — from people sharing text and images generated by AI platforms, to new policy that tries to shape a future where AI is expected to play an even bigger role — all while we aren’t really sure yet even how to define AI, much less…

CC celebrates 30 years of UNESCO Memory of the World

Open Culture

This week, the international community celebrates 30 years of the UNESCO Memory of the World Program. At Creative Commons (CC), we applaud the program’s achievements in enhancing preservation and access to documentary heritage from galleries, libraries, archives and museums (GLAMs) around the globe. We laud the multitude of efforts enlisting documentary heritage to promote inclusive,…