We’ve been thinking about the role of Creative Commons in 2017, an era where much of digital sharing culture exists within walled garden platforms, with liking and commenting on insta-photos and sharing playlists that can only be streamed. In other words, the web has changed since CC initially launched in 2001, and we are grappling…
It was my first time at the global Creative Commons summit, and though I knew a bit about Creative Commons, this was my first adventure into meeting and learning from the community.
As a Copyright and Digital Scholarship librarian, I spend a lot of time talking to people about the rights they have to the things they create, and as an active member of the open community, I often find myself encouraging others to apply Creative Commons licenses to their work.
With each question igniting long conversations, and the discussions ultimately illustrating shared objectives and processes behind the three books, we all walked away happy to have the lively dialogues recorded, if not on our computers, at least in our memories.
Together with re:3d, an Austin-based 3D printing company, and the #NEWPALMYRA project, a community platform dedicated to the virtual remodeling and creative use of architecture from the ancient Syrian city of Palmyra, Creative Commons has produced a 200 pound, 7.5 feet tall 3D rendering of one of the Palmyra Tetrapylons.
Imagine a Vilhelm Hammershøi painting printed out and hung over your fireplace, a 3D printed sculpture in your garden, or maybe a party that mixes Spotify playlists with an opera singer performing romantic songs in front of the newly acquired Friedrich’s painting.
Creative Commons believes that providing pathways to participation is crucial to our goal of lighting up the commons and we’re proud to support so many participants from our Global Community.