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Stephen WolfsonBetter Internet, Copyright, Licenses & Tools, Open Creativity, Technology“Robot Training” by Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “an oil painting in the style of Pieter Jansz Saenredam of a robot learning to follow a recipe in a Dutch kitchen with a large collection of tiny artworks arranged haphazardly on shelves.” CC dedicates any rights it holds to the image to the public domain via CC0.
While generative AI as a tool for artistic expression isn’t truly new — AI has been used to create art since at least the 1970s and the art auction house Christie’s sold its first piece of AI artwork in 2018 — the past year launched this exciting and disruptive technology into public awareness. With incredible…
Hala says “if it’s open then you give a big opportunity for partnership” because the transparency created by openness makes it clear what you do and what you have and invites others to work with you. In this episode Hala shares some insight on copyright in Egypt and what open culture looks like in the…
Nicole believes that “the greatest advantage of open cultural heritage is digital equity,” which is a guiding principle for many cultural institutions around the world. In this episode Nicole talks about how making collections open greatly increases accessibility across global demographics and interest groups which makes an institution more relevant to a wider audience. Open…
Over the last year, innovation and use of generative artificial intelligence (AI) has exploded, providing new ways for people to create content of all sorts. For example, it’s been used to help create award winning art, develop educational materials, expedite software development, and craft business materials. Recently, three artists filed a class action lawsuit in…
As part of our #20CC anniversary, last year we joined forces with Fine Acts to spark a global dialogue on what better sharing looks like in action. Our #BetterSharing collection of illustrations was the result — we gathered insights from 12 prominent open advocates around the world and tasked 12 renowned artists who embrace openness…
On 7 February 2023, Creative Commons will host a panel discussion on 3D scanning, preservation, access and revitalization of cultural heritage. As 3D technologies advance and cultural heritage institutions around the world seek better ways to enable people to engage with their collections, we also see cultural artifacts threatened by global climate change, armed conflict,…
As part of #20CC, last year we joined forces with Fine Acts to spark a global dialogue on what better sharing looks like in action. Our #BetterSharing collection of illustrations was the result — we gathered insights from 12 prominent open advocates around the world and tasked 12 renowned artists who embrace openness with transforming…
Open Culture is a growing sector of the open movement around the world, with museums, galleries, archives and libraries increasingly making collections available and accessible online. The Open Culture VOICES series aims to shine a light on the leaders and advocates in the sector to inspire others and increase the accessibility and availability of cultural…
Ever wondered how it must have been for some of the first cultural heritage institutions to embark on their open access journey? Michael Weinberg, Executive Director of the Engelberg Center on Innovation Law & Policy at NYU Law, talked to three major institutions that helped shape the early open GLAM / open culture movement to…
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Brigitte VézinaOpen CultureA cropped version of "'Espejo exterior o espía'." by Biblioteca Rector Machado y Nuñez is marked with Public Domain Mark 1.0. with a white CC open culture logo
2022 was quite a year for the Creative Commons (CC) Open Culture Program, thanks to generous funding from Arcadia, a charitable fund of Lisbet Rausing & Peter Baldwin, and the Samuel H. Kress Foundation. In this blog post, we take a look back at some of the year’s highlights in our program’s four components: Policy,…
“Robot Training” by Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “an oil painting in the style of Pieter Jansz Saenredam of a robot learning to follow a recipe in a Dutch kitchen with a large collection of tiny artworks arranged haphazardly on shelves.” CC dedicates any rights it holds to the image to the public domain via CC0.
