“Generative AI” has been the subject of much online conversation over the past few months. “Generative AI” refers to artificial intelligence (AI) models that can create different kinds of content by following user input and instructions. These models are trained on massive datasets of content — images, audio, text — that is harvested from the…
Felix feels that “sharing is something that is invited in human nature” and this is something that has inspired part of his own journey within Open Culture and the Open Movement. In this episode we learn about digital and media rights in Ghana and Liberia as well as the ways local initiatives for open access…
On 7 February 2023, Creative Commons hosted a panel discussion on 3D scanning, preservation, access and revitalization of cultural heritage. Missed it? Not to worry, it was recorded. Here are some of our top takeaways from discussion: To increase access to cultural content, advocacy efforts that appeal to museums’ higher values of making cultural…
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Stephen WolfsonBetter Internet, Copyright, Licenses & Tools, Open Creativity, Technology“Robot Training” by Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “an oil painting in the style of Pieter Jansz Saenredam of a robot learning to follow a recipe in a Dutch kitchen with a large collection of tiny artworks arranged haphazardly on shelves.” CC dedicates any rights it holds to the image to the public domain via CC0.
While generative AI as a tool for artistic expression isn’t truly new — AI has been used to create art since at least the 1970s and the art auction house Christie’s sold its first piece of AI artwork in 2018 — the past year launched this exciting and disruptive technology into public awareness. With incredible…
Hala says “if it’s open then you give a big opportunity for partnership” because the transparency created by openness makes it clear what you do and what you have and invites others to work with you. In this episode Hala shares some insight on copyright in Egypt and what open culture looks like in the…
Nicole believes that “the greatest advantage of open cultural heritage is digital equity,” which is a guiding principle for many cultural institutions around the world. In this episode Nicole talks about how making collections open greatly increases accessibility across global demographics and interest groups which makes an institution more relevant to a wider audience. Open…
Over the last year, innovation and use of generative artificial intelligence (AI) has exploded, providing new ways for people to create content of all sorts. For example, it’s been used to help create award winning art, develop educational materials, expedite software development, and craft business materials. Recently, three artists filed a class action lawsuit in…
As part of our #20CC anniversary, last year we joined forces with Fine Acts to spark a global dialogue on what better sharing looks like in action. Our #BetterSharing collection of illustrations was the result — we gathered insights from 12 prominent open advocates around the world and tasked 12 renowned artists who embrace openness…
On 7 February 2023, Creative Commons will host a panel discussion on 3D scanning, preservation, access and revitalization of cultural heritage. As 3D technologies advance and cultural heritage institutions around the world seek better ways to enable people to engage with their collections, we also see cultural artifacts threatened by global climate change, armed conflict,…
As part of #20CC, last year we joined forces with Fine Acts to spark a global dialogue on what better sharing looks like in action. Our #BetterSharing collection of illustrations was the result — we gathered insights from 12 prominent open advocates around the world and tasked 12 renowned artists who embrace openness with transforming…
“Bicycle”, here slightly cropped, by Stephen Wolfson for Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “bicycle.” CC dedicates any rights it holds to the image to the public domain via CC0.
