The CC Global Summit is now just one week away! As we make the final preparations for this first opportunity to gather in person at a Summit in several years, we are excited to unveil the program that will take place 3–6 October in Mexico City. Since 2006, the CC Global Summit has brought together thousands of CC community members, activists, creators, advocates, librarians, educators, lawyers, and technologists from around the world to discuss, collaborate, and take action to make our global culture more open and collaborative.
We must begin by honoring the very special Summit venue, the Centro Cultural Universitario Tlatelolco, next to the Plaza de las Tres Culturas. As we gather to collaborate on the future of the open commons, we will be surrounded by rich culture from Mexico’s history. Bringing these cultural themes together is “We Are the Commons,” the illustration commissioned specially for the Summit by Mexican artist Eréndira Derbez.
We are especially honored to welcome the Summit’s three keynote speakers, who have been invited to challenge us with new and reborn perspectives about open knowledge and culture, and to honor both the Summit’s location in Mexico and our community’s global scope.
Marina Núñez Bespalova, Mexico’s Undersecretary of Cultural Development, who will open the Summit speaking on global culture from the deeply rooted perspective of Mexico and Latin America.
Peter-Lucas Jones, whose keynote on day two draws from his work as a leading figure in Māori media and his collaborations to honor local and traditional knowledge and culture in a global context.
Anya Kamenetz, who will close the Summit with a keynote that grows out of her work as a journalist, writer, and now, activist focused on climate education for children.
If you can’t make it to Mexico City, there are several opportunities to engage with the Summit virtually. First, take a moment to register for free virtual access to make sure you get all the information about how you can participate in the Summit at a distance and at different times, including:
the sessions that will be livestreamed
the pre-recorded video sessions you can watch on demand
Bringing hundreds of people together for a rich program in a world capital like Mexico City is a challenge CC could not have undertaken without a lot of support from many sources.
We are deeply grateful to the team at CC Mexico — especially Irene Soria, Iván Martínez, and the team of volunteers they brought together — for their dedicated assistance large and small to make the Summit happen in their city.
We also thank the volunteers around the world who gave their time and energy on the Summit program and scholarship committees. The overwhelming interest in this year’s Summit generated big challenges for these people who stepped up to help shape a Summit that we hope is diverse, enriching, and practical. Another heartfelt thank you goes out to our friends at Wikimedia Mexico who are sponsoring a group of volunteers to help out during the event. We are grateful for this partnership and looking forward to meeting everyone next week!
Beyond all the essential community effort powering the Summit, we especially thank the sponsors who contributed financial support to make it possible to offer the scholarships that enable people from all over the world to attend the Summit and to ensure this ambitious gathering will be rewarding and successful.
¡Falta solo una semana para la Cumbre Mundial CC! Mientras hacemos los preparativos finales para esta primera oportunidad de reunirnos en persona en una Cumbre en varios años, estamos entusiasmados de presentar el programa que se llevará a cabo del 3 al 6 de octubre en la Ciudad de México. Desde 2006, la Cumbre Global CC ha reunido a miles de miembros de la comunidad CC, activistas, creadores, defensores, bibliotecarios, educadores, abogados y tecnólogos de todo el mundo para discutir, colaborar y tomar medidas para hacer que nuestra cultura global sea más abierta y colaborativa.
Debemos comenzar honrando la sede tan especial de la Cumbre, el Centro Cultural Universitario Tlatelolco, junto a la Plaza de las Tres Culturas. Mientras nos reunimos para colaborar en el futuro de los bienes comunes abiertos, estaremos rodeados de la rica cultura de la historia de México. Uniendo estos temas culturales es “Somos Los Comunes”, la ilustración encargada especialmente para la Cumbre por la artista mexicana Eréndira Derbez.
Nos sentimos especialmente honrados de dar la bienvenida a los tres oradores principales de la Cumbre, quienes han sido invitados a desafiarnos con perspectivas nuevas y renacidas sobre el conocimiento y la cultura abiertos, y a honrar tanto la ubicación de la Cumbre en México como el alcance global de nuestra comunidad.
Marina Núñez Bespalova, Subsecretaría de Desarrollo Cultural de México, quien abrirá la Cumbre hablando sobre la cultura global desde la perspectiva profundamente arraigada de México y América Latina.
Peter-Lucas Jones, cuyo discurso de apertura del segundo día se basa en su trabajo como figura destacada en los medios Māori y sus colaboraciones para honrar el conocimiento y la cultura local y tradicional en un contexto global.
Anya Kamenetz, quien cerrará la Cumbre con un discurso que surge de su trabajo como periodista, escritora y ahora activista centrada en la educación climática para los niños.
Si no puede asistir a la Ciudad de México, existen varias oportunidades para participar virtualmente en la Cumbre. Primero, tómate un momento para registrarse para obtener acceso virtual gratuito y asegurarte de obtener toda la información sobre cómo puedes participar en la Cumbre a distancia y en diferentes horarios, incluyendo:
las sesiones que serán transmitidas en vivo
las sesiones de vídeo pregrabadas que puedes ver cuando quiera
las sesiones informales de conexión que CC está organizando con Virtually Connecting
la oportunidad de conectarse con participantes en México y alrededor del mundo en el slack de la comunidad CC
y la oportunidad de conocer a los presentadores y participantes de la Cumbre en reuniones virtuales una vez finalizada la Cumbre en México
Gracias a todos los que hicieron posible la Cumbre
Reunir a cientos de personas para un rico programa en una capital mundial como la Ciudad de México es un desafío que CC no podría haber emprendido sin mucho apoyo de muchas fuentes.
Estamos profundamente agradecidos al equipo de CC México, especialmente a Irene Soria, Iván Martínez y el equipo de voluntarios que reunieron, por su dedicada ayuda, grandes y pequeñas, para que la Cumbre se llevará a cabo en su ciudad.
También agradecemos a los voluntarios de todo el mundo que brindaron su tiempo y energía en los comités de programa y de becas de la Cumbre. El interés abrumador en la Cumbre de este año generó grandes desafíos para estas personas que dieron un paso al frente para ayudar a dar forma a una Cumbre que esperamos sea diversa, enriquecedora y práctica. Otro aprecio de todo corazón para nuestros amigos de Wikimedia México que patrocinan a un grupo de voluntarios para ayudar durante el evento. ¡Estamos agradecidos por esta asociación y esperamos conocerlos a todos la próxima semana!
Más allá de todo el esfuerzo comunitario esencial que impulsó la Cumbre, agradecemos especialmente a los patrocinadores que contribuyeron con apoyo financiero para hacer posible ofrecer becas que permitan a personas de todo el mundo asistir a la Cumbre y garantizar que esta ambiciosa reunión sea gratificante y exitosa.
Logos used by permission from sponsoring organizations.
¿Está interesado en patrocinar la CC Global Summit 2023? Por favor contáctenos en development@creativecommons.org.
Christy Henshaw — Open Culture VOICES, Season 2 Episode 26
“Open access means that we’re able to reach more people in a more equitable fashion.” Christy explains how the Wellcome Collection has been using Open Access to increase the engagement and shared value of an art and culture collection in a private foundation. Christy also shares some insight about the benefits of leveraging existing tools, such as CC Licenses and platforms like Wikicommons, to have a greater positive impact on society.
Open Culture VOICES is a series of short videos that highlight the benefits and barriers of open culture as well as inspiration and advice on the subject of opening up cultural heritage. Christy is the Digital Production Manager at the Wellcome Collection which is a museum and library that is part of the Wellcome Trust, one of the largest trusts in the world dedicated to improving health outcomes globally. The Wellcome Collection has made 300,000 pieces from the collection available online, including procedures and software through Github repositories.
Christy responds to the following questions:
What are the main benefits of open GLAM?
What are the barriers?
Could you share something someone else told you that opened up your eyes and mind about open GLAM?
Do you have a personal message to those hesitating to open up collections?
Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.
Marina Núñez Bespalova Será una Oradora Principal en la Cumbre Mundial CC 2023
Lamentamos informar que debido a un conflicto de programación imprevisto, Marina Núñez Bespalova no puede dar un discurso en la Cumbre Global CC 2023, pero tenemos el honor de darle la bienvenida al artista sonoro, músico, investigador y gestor cultural mexicano Francisco J. Rivas. Mesa, también conocido por su nombre artístico Tito Rivas. Leer más sobre Francisco >
Tenemos un grupo increíble de personas preparadas para ser oradores principales en la Cumbre Global 2023, que se llevará a cabo del 3 al 6 de octubre en la Ciudad de México. En nuestros primeros anuncios, dimos la bienvenida a la escritora Anya Kamenetz y al líder de medios Māori Peter-Lucas Jones. Ahora nos sentimos profundamente honrados de anunciar que el discurso de apertura de la Cumbre estará a cargo de Marina Núñez Bespalova, Subsecretaría de Desarrollo Cultural de México, quien hablará sobre la cultura global desde la perspectiva profundamente arraigada de México y América Latina.
Marina Núñez Bespalova es subsecretaria de Desarrollo Cultural de la Secretaría de Cultura de México desde agosto de 2019. Doctorada en Filología Hispánica, Marina es editora y gestora cultural con casi dos décadas de servicio público en el sector cultural. Anteriormente ha sido Directora General de Publicaciones de Conaculta (el Consejo Nacional para la Cultura y las Artes), la Secretaría de Cultura y del Archivo General de la Nación, y estuvo a cargo de la concepción de la plataforma LibrosMéxico. También ha sido encargada del programa Salas de Lectura y del Plan Nacional de Lectura de 2016 a 2018, de la expansión de diversos programas infantiles y juveniles, así como de programas específicos sobre intervención cultural en situaciones de crisis y trabajo con población migrante, entre otros cargos públicos. Ha formado parte del grupo que promovió diversas iniciativas de ley en materia cultural. Ha sido docente en universidades globales en las que, además, ha tenido estancias de investigación, como la Queen Mary University of London, la Complutense de Madrid o la Sapienza de Roma. Recibió apoyos del Ministerio de Educación de España para realizar su tesis doctoral y participar en un grupo de investigación sobre la Edad Media y la cultura laica a través del mecenazgo. Ha participado ampliamente en foros nacionales e internacionales, ha enseñado numerosos cursos y seminarios y ha sido autora de obras en publicaciones académicas y literarias.
Al igual que Marina, todos nuestros oradores principales se conectan directamente con las áreas de enfoque de CC, desde la creatividad contemporánea y el patrimonio cultural hasta los medios, la ciencia, la educación y el periodismo. Con el tema de la Cumbre sobre la IA y los bienes comunes, también esperamos enfrentar el desafío de perspectivas nuevas y renacidas que deberíamos considerar al pensar en la inteligencia artificial y su intersección con el conocimiento y la cultura abiertos. Todas los oradores principales de la Cumbre honrarán tanto la ubicación de la Cumbre en México como el alcance global de la comunidad CC.
¡Estén atentos para conocer a nuestros otros oradores principales! Te invitamos a unirte a nosotros en la Cumbre en la Ciudad de México para escuchar hablar a Marina y muchas otras voces diversas. Nuestra esperanza es que los oradores principales, el programa completo de la Cumbre y nuestras conexiones informales en la Ciudad de México y en línea se combinen para permitirnos a todos cultivar la estrategia de CC de compartir mejor, un compartir que sea contextual, inclusivo, justo, equitativo, recíproco y sostenible.
Marina Núñez Bespalova to Keynote CC Global Summit 2023
We are sorry to say that due to unforeseen scheduling conflict, Marina Núñez Bespalova is unable to speak at the 2023 CC Global Summit, but we are honored to welcome instead Mexican sound artist, musician, researcher, and cultural leader Francisco J. Rivas Mesa, also known by his stage name Tito Rivas. Read more about Francisco >
We have an incredible group of people lined up to be keynote speakers at the 2023 CC Global Summit, to be held 3–6 October in Mexico City. In our first announcements, we welcomed writer Anya Kamenetz and Māori media leader Peter-Lucas Jones. We are now deeply honored to announce that the Summit’s opening keynote will be from Marina Núñez Bespalova, Mexico’s Undersecretary of Cultural Development, speaking on global culture from the deeply rooted perspective of Mexico and Latin America.
Marina Núñez Bespalova is the undersecretary of Cultural Development in Mexico’s Ministry of Culture, starting in August 2019. With her doctorate in Spanish philology, Marina is an editor and cultural manager with almost two decades of public service in the cultural sector. She has previously been General Director of Publications of Conaculta (National Council for Culture and the Arts), the Ministry of Culture, and the National Archive, and was in charge of the conception of the platform LibrosMéxico. She also led the Reading Rooms program, the National Reading Plan from 2016 to 2018, and the expansion of various children and youth programs, as well as specific programs on cultural intervention in crisis situations and work with migrant populations, among other public charges. She has been part of the group that promotes various cultural law initiatives. She has been a teacher at global universities where she has also had research stays, such as the Queen Mary University of London, the Complutense of Madrid, and the Sapienza of Rome. She received support from the Spanish Ministry of Education to carry out her doctoral thesis and participate in a research group on the Middle Ages and secular culture through patronage. She has participated widely in national and international forums, taught many courses and seminars, and authored works in both academic and literary publications.
Like Marina, all our keynoters connect directly with CC’s areas of focus, from contemporary creativity and cultural heritage, to media, science, education, and journalism. With the Summit’s theme of AI and the commons, we also expect to be challenged with new and reborn perspectives that we should consider in thinking about artificial intelligence and its intersection with open knowledge and culture. All the Summit keynotes will honor both the Summit’s location in Mexico, and the CC community’s global scope.
We invite you to join us at the Summit in Mexico City to hear Marina and many other diverse voices speak. Our hope is that the keynote addresses, the full Summit program, and our informal connections in Mexico City and online will combine to enable us all to cultivate CC’s strategy of better sharing, sharing that is contextual, inclusive, just, equitable, reciprocal, and sustainable.
Today Creative Commons (CC) delivered a statement to the World Intellectual Property Organization (WIPO) Conversation on Generative AI and Intellectual Property, as part of our engagement in global policy discussions around the important issues raised by these new technologies and their impact on creativity, the commons, and better sharing, i.e. sharing that is inclusive, equitable, reciprocal, and sustainable. In this blog post, we share the statement as delivered by Brigitte Vézina, CC’s Director of Policy and Open Culture.
Thank you Chair for giving me the floor on behalf of Creative Commons, the organization behind the eponymous copyright licenses that have released more than 2,5 billion works into the commons to date.
At CC we know generative AI, without proper guardrails, runs the risk of being exploitative and damaging the commons, yet it also has the potential to enhance it like never before. This conundrum leaves us with many hard questions:
How can creators be fairly rewarded for building our shared commons?
How can we support the new forms of creativity enabled by AI?
How do we support creators through these unprecedented technological developments?
In search of answers we held community consultations over the past months (including a symposium in New York City last week). As one would expect, we garnered a wide variety of views:
Some creators are very concerned about AI and perceive it as a serious threat to their livelihood — at the same time many artists are relishing the new possibilities offered by AI as it pushes the boundaries of human creative expression and can make creativity more equitably accessible, for example, for people with disabilities. We just published an open letter from over 70 artists* who use generative AI to help surface their experiences and views.
Some developers want unbridled freedom to build their model — but some are looking forward to working with opt-outs, i.e. respecting the wishes of creators who do not want to have their content trained upon, or to train on openly licensed content. We are already seeing efforts to help creators signal their preferences and norms and standards are emerging through community practice and portend fresh and innovative approaches.
In this context, WIPO should help develop norms and practices that are flexible and that will work to increase transparency and empower creators with choices that reflect their values and aspirations. WIPO should approach this with fairness and sustainability in mind — instead of promoting an expansion of copyright, it should ascertain its intrinsic balance and promote the commons on which all creativity depends. In particular, since all creativity builds on the past, copyright needs to continue to leave room for people to study, analyze and learn from previous works to create new ones, including by analyzing past works using automated means.
Mr. Chair, copyright is only one lens through which to consider generative AI. Copyright is a rather blunt tool that often leads to black-and-white solutions that fall short of harnessing all the diverse possibilities that generative AI offers for human creativity. Copyright is not a social safety net, an ethical framework, or a community governance mechanism — and yet we know that regulating generative AI needs to account for these important considerations if we want to support our large community of creators who want to contribute to enriching a commons that truly reflects the world’s diversity of creative expressions.
Thank you, Mr. Chair and to WIPO for hosting this important conversation.
Jennie Rose Halperin — Open Culture VOICES, Season 2 Episode 25
Jennie says “one thing that I love about the internet is that it has allowed us to do things we weren’t able to in the past.” In this episode we learn about the differences between digital and physical collections and what it means to be open to the public online as well as in real life when the mission of the institution is to serve the public interest and share cultural heritage.
Open Culture VOICES is a series of short videos that highlight the benefits and barriers of open culture as well as inspiration and advice on the subject of opening up cultural heritage. Jennie Rose Halperin is the Director at the Library Futures project at NYU Engelberg.
Jennie responds to the following questions:
What are the main benefits of open GLAM?
What are the barriers?
Could you share something someone else told you that opened up your eyes and mind about open GLAM?
Do you have a personal message to those hesitating to open up collections?
Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.
This week, Creative Commons (CC) convened 100+ participants during two events in New York City to discuss the important issues surrounding generative artificial intelligence (AI), copyright, and creativity.
For many years, we at CC have been examining the interplay between copyright and generative AI, exploring ways in which this technology can foster creativity and better sharing, i.e. sharing that is inclusive, equitable, reciprocal, and sustainable — and it is through this lens that we strive to tackle some of the most critical questions regarding the potential of generative AI tools for creators, cultural heritage institutions, and the general public.
In search of answers we have been holding community consultations over the past months to consider how best to maximize the public benefits of AI, to address concerns with how AI systems are trained and used, and to probe how AI will affect the commons. These two NYC events come within the scope of these wider consultations aimed at assisting us in taking action with informed intention.
On 12 September, we ran a workshop at the offices of Morrison Foerster to unpack the multiple issues that arise once generative AI enters the creativity cycle. If all creativity remixes the past — which needs to be responsibly preserved and cared for — is generative AI a game changer? This was the question an interdisciplinary mix of participants approached with insight and empathy throughout the afternoon’s dynamic sessions. History teems with examples of how humans dealt with technological disruptions in the past (from the printing press and oil painting to photography), yet many participants pointed to the need to think differently and imagine new structures for AI to deliver on its promise to enhance the commons. Issues around attribution, bias, transparency, agency, artistic identity and intent, democratization of AI, and many others, peppered the discussions in small and large groups. While no definite pathways emerged, participants embraced the uncertainty and relished the prospect of generative AI being used for the common good.
The conversations flowed through the following day’s symposium, Generative AI and the Creativity Cycle, at the Engelberg Center at New York University. 100 participants attended the event, which brought together experts from various fields — including law, the arts, cultural heritage, and AI technology — speaking on seven panels covering a wide range of issues at the nexus of creativity, copyright, and generative AI.
Running like red threads across the panels, here are some of the key themes that surfaced throughout the day’s lively conversations:
Transparency: This requirement was often cited as a precondition for society to build trust in generative AI. Transparency was deemed essential in the datasets, algorithms and models themselves, as well as in AI systems in general. Similarly, a focus on the ways users of AI content could be transparent about their processes was also needed. This tied closely to notions of attribution and recognizing machine input into creative processes.
Attribution (or similar notions of recognition, credit, or acknowledgement): This feature reflects CC’s emphasis on better sharing: nurturing a fair and equitable sharing ecosystem that celebrates and connects creators.
Bias: The problem of bias in AI models as well as the inequalities they perpetuate and compound came up in most if not all sessions. The imperative to address bias was raised alongside calls for greater diversity and inclusion, as is already undertaken in data decolonization efforts.
Economic fairness: Several discussions pointed to a need for fair remuneration, distributive justice, and a universal basic income, as well as employment protection for creators.
Copyright issues (both on the input/training and output levels): While some speakers suggested a sense of loss of control due to a lack of copyright-based permission or consent, others reiterated the fundamental right for anyone to read and absorb knowledge including through machine-automated means.
A multi-pronged approach: Given the multifaceted nature of the challenges raised by generative AI, many speakers highlighted the need to engage on multiple levels to ensure responsible developments in AI. This tied in with the need for adequate incentives and support for open sharing, a sustainable open infrastructure, culture as a public good, sharing in the public interest, all in order to prevent further enclosures of the commons.
Collaboration: Collaborative creation with machines as well as with other humans could give rise to a “remix culture 2.0,” where generative AI as a tool could assist in the emergence of new forms of creativity through “amalgamated imagination.”
Although the above summary does not do justice to the depth and thoughtfulness of the event’s discussions, it does give a flavor of the topics at stake and should help inform those thinking about AI development, regulation, and its role in supporting better sharing of knowledge and culture in our shared global commons.
A special thank you to our workshop participants and symposium speakers and moderators. We are grateful to have had the opportunity to connect with many of you and share diverse perspectives on this complex topic. We are grateful to Morrison Foerster for supporting the workshop, donating space and resources. We’d also like to thank our lead symposium sponsor Akin Gump as well as the Engelberg Center on Innovation Law & Policy for publicly hosting these important conversations.
Fred Saunderson — Open Culture VOICES, Season 2 Episode 24
“New content thrives on reuse and remixing of old content which is increased when you have an open approach to culture.” Fred believes that open culture simplifies many aspects of culture preservation, sharing, and creation by making things clearer and easier to manage for institutions and individuals and that open culture solves challenges for future generations by making information accessible.
Open Culture VOICES is a series of short videos that highlight the benefits and barriers of open culture as well as inspiration and advice on the subject of opening up cultural heritage. Fred is the Rights and Information Manager at the Library of Scotland where he works to make the vast collections of Scotland accessible to the world.
Fred responds to the following questions:
What are the main benefits of open GLAM?
What are the barriers?
Could you share something someone else told you that opened up your eyes and mind about open GLAM?
Do you have a personal message to those hesitating to open up collections?
Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.
Tenemos un grupo increíble de personas preparadas para ser oradores principales en la Cumbre Global 2023, que se llevará a cabo del 3 al 6 de octubre en la Ciudad de México. Recientemente anunciamos a Anya Kamenetz y ahora, en nuestro segundo anuncio, damos la bienvenida a Peter-Lucas Jones, quien va a pronunciar un discurso a la Cumbre que surge de su trabajo como figura destacada en los medios Māori y sus colaboraciones para honrar el conocimiento y la cultura local y tradicional en un contexto global.
Peter-Lucas Jones (Te Aupōuri, Ngāi Takoto, Ngāti Kahu) es el director ejecutivo de Te Hiku Media y un gobernador experimentado en el ecosistema de medios Māori. Actualmente es presidente de Te Whakaruruhau o ngā Reo Irirangi Māori, vicepresidente de Whakaata Māori y presidente de Te Rūnanga Nui o Te Aupōuri. Como kaitiaki (guardián) de confianza de los datos Māori, Peter-Lucas negocia la responsabilidad de proteger los datos iwi (tribales) y Māori, al mismo tiempo que satisface las necesidades de los financiadores y las expectativas de los iwi y hapū (subtribus). Peter-Lucas tiene experiencia en transmisión terrestre y digital trabajando con kaumātua (ancianos) y marae (lugar de reunión Māori sagrado) para grabar contenido y brindar acceso a te reo ā-iwi (variación del lenguaje tribal), tikanga ā-iwi (variación cultural tribal), kōrero tuku iho (tradiciones orales) e historia iwi. Es un locutor de radio en idioma Māori galardonado que se centra en asuntos políticos y temas de actualidad. Esta experiencia ha visto el desarrollo de una licencia Kaitiakitanga para Te Hiku Media que proporciona un marco para guiar el uso de datos Māori desde una perspectiva haukāinga (gente de origen de marae). Te Hiku Media utiliza ahora estos datos para desarrollar herramientas de NLP y NLU para te reo Māori.
Al igual que Peter-Lucas, todos nuestros oradores principales se conectan directamente con las áreas de enfoque de CC, desde la creatividad contemporánea y el patrimonio cultural hasta los medios, la ciencia, la educación y el periodismo. Con el tema de la Cumbre sobre la IA y los bienes comunes, también esperamos enfrentar el desafío de perspectivas nuevas y renacidas que deberíamos considerar al pensar en la inteligencia artificial y su intersección con el conocimiento y la cultura abiertos. Todas los oradores principales de la Cumbre honrarán tanto la ubicación de la Cumbre en México como el alcance global de la comunidad CC.
¡Estén atentos para conocer a nuestros otros oradores principales! Te invitamos a unirte a nosotros en la Cumbre en la Ciudad de México para escuchar hablar a Peter-Lucas y muchas otras voces diversas. Nuestra esperanza es que los oradores principales, el programa completo de la Cumbre y nuestras conexiones informales en la Ciudad de México y en línea se combinen para permitirnos a todos cultivar la estrategia de CC de compartir mejor, un compartir que sea contextual, inclusivo, justo, equitativo, recíproco y sostenible.
