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Rights Expression vs. Rights Enforcement: clarifying the Associated Press story
by ben About CC postThe Associated Press wants to track reuse of their content through a “news registry.” This registry “will employ a microformat for news developed by AP”: The microformat will essentially encapsulate AP and member content in an informational “wrapper” that includes a digital permissions framework that lets publishers specify how their content is to be used…
Copyright tools
by Jane Park Uncategorized postLast year, I blogged about the Copyright Advisory Network‘s nifty digital copyright slider, a tool that helps you tell whether a work is still copyrighted or whether it’s in the public domain. Since then, the OITP at ALA (Office for Information Technology Policy of the American Library Association) has developed and published two new tools:…
Glenn Otis Brown Returns to Creative Commons as Board Member
by Eric Steuer Uncategorized postWe are thrilled to announce that Glenn Otis Brown has joined the Creative Commons board of directors. Brown was CC’s executive director from 2002-2005; as one of the core members of the CC team in our early days, he was critical in developing projects that provide the groundwork for the work we do today. Brown…
YouTube’s Glenn Otis Brown Returns to Creative Commons as Board Member
by Eric Steuer About CC postSan Francisco, CA, USA – July 24, 2009 Creative Commons, a global nonprofit focused on the growth and preservation of openly shareable and reusable culture, science, and education, officially announced today that Glenn Otis Brown has rejoined the organization as a member of its board of directors. Brown was CC’s executive director from 2002-2005 and…
YouTube’s Glenn Otis Brown Returns to Creative Commons as Board Member
by Eric Steuer About CC postSan Francisco, CA, USA – July 24, 2009 Creative Commons, a global nonprofit focused on the growth and preservation of openly shareable and reusable culture, science, and education, officially announced today that Glenn Otis Brown has rejoined the organization as a member of its board of directors. Brown was CC’s executive director from 2002-2005 and…
Who is Copying and Pasting Your CC Content? Discover More With Tynt's Tracer Tool
by fbenenson Uncategorized postIf you’re one of the couple dozen people who copied text off our blog yesterday, you may have noticed some more text accompany your clipboard when you pasted it — a link to our site and the license (Attribution) we’ve offered our content under. This is because we’ve installed Tynt’s Tracer tool on our blog…
The Reality of Professional Photography on Wikipedia
by fbenenson About CC postNoam Cohen’s piece in the New York Times over the weekend highlighted some of the issues surrounding photography on Wikipedia: At a time when celebrities typically employ a team of professionals to control their images, Wikipedia is a place where chaos rules. Few high-quality photographs, particularly of celebrities, make it onto this site. This is…
Terms of Use
pageCreative Commons Master Terms of Use Effective as of 26 August 2020 1. General Information Regarding These Terms of Use Master terms: Welcome, and thank you for your interest in Creative Commons (“Creative Commons,” “CC,” “we,” “our,” or “us”). Unless otherwise noted on a particular site or service, these master terms of use (“Master Terms”)…
Privacy Policy (pre 2009-07-23)
pageThis Privacy Policy (“Privacy Policy”) explains the collection, use, and disclosure of “personal information” by Creative Commons Corporation (“CC” or “Creative Commons”), a Massachusetts Corporation, with its principal place of business at 171 Second St, Suite 300, San Francisco, 94150, USA, through the websites that Creative Commons operates at https://creativecommons.net (the “ccNet Website”), https://creativecommons.org, and…
Kenzo Digital
by cameron Open Culture postKenzo Digital is New York-based multi-talented creator that works in video, audio, and mixed media to create both artistic works and commercial products. Aesthetically informed by early 90s hip-hop, his latest and most well-publicized work, City of God’s Son, is a CC-licensed “opera for the blind.” The project finds Kenzo sampling and remixing numerous sources…