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Upcoming Open Culture Live Webinar: “Whose Open Culture? Decolonization, Indigenization, and Restitution”

Open Culture post
The background is a woven textile with black, red, blue, and brown and tan shapes emmulating birds and fish. The text reads Andean Textile Fragment” by Peruvian. 1500. Walters Art Museum., here slightly cropped, is released into the public domain under CC0.

On Wednesday, 17 January, 2024, at 3:00 pm UTC, CC’s Open Culture Program will be hosting a new webinar in our Open Culture Live series titled “Whose Open Culture? Decolonization, Indigenization, and Restitution.” As we observed a few years ago, there is growing awareness in the open culture movement about issues related to the acquisition, preservation, access, sharing, and reuse of cultural heritage of Indigenous peoples and local communities (including traditional knowledge and traditional cultural expressions), heritage in the context of colonization, and culturally-sensitive heritage.

Highlights from GLAM Wiki by the CC Open Culture Team

Open Culture post
From left to right, the team stands together with GLAM Wiki Lanyards. Jocelyn has short brown curly hair and wears a black and white dress with a black shirt. Brigitte has light brown hair and wears jeans and a pink jacket. Connor wears a white button up shirt and jeans, glasses. Jennryn has long blonde hair and colorful hoop earrings with a CC t-shirt. The team is featured in front of an ornate door and checkered black and white tiled floor. Picture of the Creative Commons team at GLAM Wiki, Montevideo, Uruguay, 17 November, 2023. From left to right: Jocelyn Miyara, Brigitte Vézina, Connor Benedict, and Jennryn Wetzler. © Creative Commons, licensed CC-BY.

From 16 to 18 November, members of the Creative Commons (CC) Open Culture and Learning and Training teams attended GLAM Wiki in Montevideo Uruguay. In this blog post we look back at the event’s highlights from CC’s perspective.

Announcing CC’s Open Infrastructure Circle

Licenses & Tools, Sustaining the Commons, Technology post
A black and white Creative Commons icon and logo above

CC Licenses make it possible to share content legally and openly. Over the past 20 years, they have unlocked approximately 3 billion articles, books, research, artwork, and music. CC’s Legal Tools are a free and reliable public good. Yet most people are unaware that their infrastructure and stewardship takes a lot of money and work to maintain. That’s why we’re launching the Open Infrastructure Circle (OIC) — an initiative to obtain annual or multi-year support from foundations, corporations, and individuals for Creative Commons’ core operations and license infrastructure.

CC and Communia Statement on Transparency in the EU AI Act

Better Internet, Licenses & Tools, Open Culture, Open Knowledge, Technology post
An abstract European Union flag of diffused gold stars linked by golden neural pathways on a deep blue mottled background. "EU Flag Neural Network" by Creative Commons was cropped from an image generated by the DALL-E 2 AI platform with the text prompt "European Union flag neural network." CC dedicates any rights it holds to the image to the public domain via CC0.

The European Union’s Artificial Intelligence Act will be discussed at a key trilogue meeting on 24 October 2023. CC collaborated with Communia to summarize our views emphasizing the importance of a balanced and tailored approach to regulating foundation models and of transparency in general.

Diane Peters

person

As General Counsel and Corporate Secretary for CC, Diane directs the organization’s legal strategy and projects. She coordinates legal programs and activities that harness CC’s diverse and complex global network. She also leads development of CC’s licenses and legal tools, including the CC0 public domain dedication (2009), the Public Domain Mark (2010), Version 3.0 ports…

Alek Tarkowski

person

Alek Tarkowski is the Strategy Director of Open Future Foundation, a European think tank for the open movement. He is a sociologist, activist and strategist. Since 2004 he has been active, in Poland and globally, in organizations and social movements building an open internet. His focus has been on copyright, commons-based approaches to resource management…

An Open Letter from Artists Using Generative AI

Better Internet, Open Creativity, Technology post
A bluish surrealist painting generated by the DALL-E 2 AI platform showing a small grayish human figure holding a gift out to a larger robot that has its arms extended and a head like a cello. Better Sharing With AI” by Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “A surrealist painting in the style of Salvador Dali of a robot giving a gift to a person playing a cello.” CC dedicates any rights it holds to the image to the public domain via CC0.

As part of Creative Commons’ ongoing community consultation on generative AI, CC has engaged with a wide variety of stakeholders, including artists and content creators, about how to help make generative AI work better for everyone. Certainly, many artists have significant concerns about AI, and we continue to explore the many ways they might be…

Understanding CC Licenses and Generative AI

Better Internet, Licenses & Tools, Open Creativity, Technology post
A black and white illustration of a group of human figures in silhouette using unrecognizable tools to work on a giant Creative Commons icon. CC Icon Statue” by Creative Commons, generated in part by the DALL-E 2 AI platform. CC dedicates any rights it holds to this image to the public domain via CC0.

Many wonder what role CC licenses, and CC as an organization, can and should play in the future of generative AI. The legal and ethical uncertainty over using copyrighted inputs for training, the uncertainty over the legal status and best practices around works produced by generative AI, and the implications for this technology on the…