[This is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter] From last week’s episode: Thus we use our licenses to build the freedoms authors want upon a reinforced…

Kembrew McLeod is currently an Assistant Professor, University of Iowa, Department of Communication Studies. In addition to being an academic, Kembrew is a self-professed prankster. In 1998 he trademarked the phrase “Freedom of Expression®” as a comment on how the intellectual property law is being used to fence off culture and restrict the way in…

[This is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter] From last week’s episode: Widespread DRM would disable that interoperability. Or at least, it would disable interoperability…

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons.] CC: Aims and Lessons So what problem was Creative Commons trying to solve? And from what in the past did we learn? Creative Commons took its idea — give away free copyright licenses…

Marshall Sahlins wants to make the Internet the new medium for traditional pamphleteering. Sahlins, a celebrated anthropologist at the University of Chicago and the founder of Prickly Paradigm Press, has decided to re-release the press’s backlist with “some rights reserved.” This week, Prickly Paradigm goes online with the publication of five pamphlets under a Creative…

Dateline: 1980. New York-based typesetter Rick Prelinger was trying to “make it in the movies” and writing a reference book on two-way radio frequencies on an IBM Selectric typewriter. Two years later, he became the Research Director for “Heavy Petting,” the Norman Lear-funded Atomic Café-like documentary about sexuality in the 20th Century. Armed with photocopies…

Wiley Wiggins has starred in the films Dazed and Confused, Waking Life (on which he also worked as an animator), and Frontier. Wiggins was a contributing editor to the late, great FringeWare Review. His collection of short Stories, Solarcon-6, is available for free under a Creative Commons license from his website (also licensed!). We caught…

MediaRights.org is an innovative non-profit, based in New York, but accessible around the world via their website that helps to showcase important social issue documentaries and puts media makers, educators, librarians, nonprofits, and activists in contact with each other to enable the use of documentaries to generate discussion and encourage action on contemporary social issues.…

Scott Andrew LePera founded the lo-fi folk-rock project the Walkingbirds in 1998, around the same time he discovered the Web. Since then he’s actively recorded and released songs in MP3 format directly onto the Web from his little bedroom studio in Northern California. The Walkingbirds’ website sees several hundred downloads each month from all over…

Meet Sal Randolph, the New York-based artist behind Opsound, a new online record label that has adopted the concepts of open source and copyleft and adapted them to music production. Opsound invites musicians to contribute sounds to a “sound pool” licensed under a Creative Commons Attribution Share-Alike license. Others can then take sounds from the…