“Princesses Gather at Fountain”, ca. 1770, shown slightly cropped. The Metropolitan Museum of Art. Public Domain.

On 22 November, we organized a webinar with a group of experts to discuss their unique approaches to reparative metadata practices: considering the ways that harmful histories and terminologies have made their way into collections labeling and categorization practices and finding ways to identify those terms, contextualize them, and/or replace them altogether. Jill Baron, a…

Today we conclude the Open Culture Voices series, which over two years has showcased more than 65 open culture experts and practitioners from around the world. Over these two years we have had the privilege of engaging with remarkable individuals, each bringing their unique insights and stories to our community. Thank you!

Picture of the Creative Commons team at GLAM Wiki, Montevideo, Uruguay, 17 November, 2023. From left to right: Jocelyn Miyara, Brigitte Vézina, Connor Benedict, and Jennryn Wetzler. © Creative Commons, licensed CC-BY.

From 16 to 18 November, members of the Creative Commons (CC) Open Culture and Learning and Training teams attended GLAM Wiki in Montevideo Uruguay. In this blog post we look back at the event’s highlights from CC’s perspective.

“Princesses Gather at Fountain”, ca. 1770, shown slightly cropped. The Metropolitan Museum of Art. Public Domain.

For centuries, cultural heritage institutions have been undertaking the work to document and catalog objects in their collections — sometimes this work suffers from a legacy of colonialism and discrimination in the way their collections are labeled and categorized. Some institutions are working to update these labels with more respectful terminology. Hear more from some of the changemakers working to update labels and metadata with more respectful terminologies during this CC panel.

Dave talks about how many “institutions are on a mission to expose their collections to the world and make them available for everyone.” Dave sees this as a major evolution from a time not too long ago when it was only those with means who could access collections in any way. Open Culture VOICES is…

“WIPO SSCR Screenshot” by Creative Commons is licensed via CC BY 4.0.

From 6 to 8 November 2023, Creative Commons participated remotely in the 44th session of the World Intellectual Property Organization Standing Committee on Copyright and Related Rights. In this blog post, we look back on the session’s highlights on broadcasting, exceptions and limitations, and generative AI, from CC’s perspective.

Kyle believes that “the artistic and creative expressions of humanity is the best way to experience our human efforts” and open GLAM makes this a reality for much more than what you can see on a given day in a museum. Open GLAM also helps drive more digitization of collections around the world in an…

  Maarten believes that “Open GLAM is a necessity of a disbalanced copyright framework.” Maarten talks about how open access policies help institutions achieve their public missions. Open access policies in instutions provides good evidence that society and communities need access to cultural heritage to flourish. Open Culture VOICES is a series of short videos…

“Sorry! This video does not exist.” by Creative Commons is licensed via CC BY 4.0.

A key video disappeared from the CC home webpage after the video hosting service Vimeo tagged the open work with an invalid automated copyright violation takedown notice. Learn more about what happens when automated copyright filters go wrong.

Marike van Roon shares that “the main benefit of open culture is accessibility” because if you are not fortunate enough to be part of organization that pays for you to have access to collections and you don’t live in city with public collections it’s almost impossible to access a lot of cultural heritage. In this…