Bricks in the Wall Theater and drama fans are familiar with the Fourth Wall, the conceptual boundary between performer and audience. It’s an artistic term, but we’ve now extended the concept in a Creative Commons way. At the South by Southwest Film Festival this week, I moderated a panel, “Can Copyright Bring Filmmaker and Audience…
Check out some tunes from Funktifyno. I really like the live recording of That One — a great jazz jam. Funktifyno is based out of Portland, Oregon. Go remix!
From the South by Southwest Music Festival, Creative Commons brings you the new Music Sharing License and Get Content search engine. This copyright license lets your fans know they can download, copy, and share your music online, but not sell, remix, or make any other commercial use out of it. (The license is based on…
Machinista, an arts festival focusing on machine-related art, will use Creative Commons licenses for the DVD containing the winning entries. The winners will be chosen out of the 280 submissions, which are themed as “the world as seen by the machines.” Since the content will be CC-licensed, we’re also hoping to have it hosted at…
If you’re at South by Southwest in Austin, come by our panels at 10am (music and copyright) and 11:30am (film and copyright) Monday morning. Special guests include two Austinites: tech-media renaissance man Wiley Wiggins and GET CREATIVE! contest winner Justin Cone, whose 2-minute short “Building on the Past” perfectly exemplifies the CC mission. (How many…
A large part of the Creative Commons team is excited to be in Austin at South By Southwest. On Monday, we’ll be speaking on panels discussing Creative Commons for music and film. We’ll also be announcing a few related project at the conference. See you there!
I found PIA’s Symbols through the Creative Commons search engine — a great album of electronic music. You can find lots of music through the search engine, which has currently indexed only 50,000 URLs out of the 1,400,000 URLs we know to contain CC licensed content (there are another 400,000 URLs in the queue). Symbols…
Music journalist Devon Powers has a great piece on copyright terms, sampling, and the Beatles at PopMatters. In it, she looks at the Grey Album and comes to the conclusion that overly long copyright terms harm our culture by limiting the use of music as social force. Akin to “Free the Mouse” she arrives at…
Matt’s post earlier today about Hit Song Science, a piece of software that uses algorithms to analyze songs to predict their likelihood of success in the market, reminded me of a favorite imaginative bit in Jonathan Franzen’s novel The Corrections, which was a big hit a couple years ago: . . . Brian spent his…
Creative Commons co-founder and chairman Lawrence Lessig will be giving a talk entitled “Creativity and Its Enemies” next week. The event will take place on March 23rd at Buttenwieser Hall, 92nd Street at Lexington, in New York City. It’s a part of an ongoing series sponsored by Wired Magazine.