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Artificial Intelligence and Creativity: Why We’re Against Copyright Protection for AI-Generated Output
by Brent Moran, Brigitte Vézina Copyright post![A collage of a scientist staring at computer screens](https://creativecommons.org/wp-content/uploads/2020/08/22Love-Art-Science-9522-by-Kollage-Kid-CC-BY-NC-SA-2.0-1024x553.jpg)
Should novel output (such as music, artworks, poems, etc.) generated by artificial intelligence1 (AI) be protected by copyright? While this question seems straightforward, the answer certainly isn’t. It brings together technical, legal, and philosophical questions regarding “creativity,” and whether machines can be considered “authors” that produce “original” works. In search of an answer, we ran…
The Increasingly Open World of Photography: A Conversation With Exposure’s Luke Beard
by Victoria Heath Licenses & Tools, Open Culture post![A collage of a photographer and lighthouse](https://creativecommons.org/wp-content/uploads/2020/07/225169051592_632fc3cc6b_h22-Kollage-Kid-CC-BY-NC-SA-cropped-1024x576.jpg)
Over 300 million images are uploaded to Facebook a day. Yes, just Facebook. Once other social media and photo-sharing platforms like Flickr, Unsplash, Instagram, etc. are taken into account, that number quickly grows into the billions. A lot has changed since the dawn of photography in the 19th century—when Nicéphore Niépce (a.k.a. the “Father of…
Open Access in Practice: A Conversation with President Larry Kramer of The Hewlett Foundation
by Victoria Heath Open Access post![Participants in the Young Women Leadership Program explain software to each other](https://creativecommons.org/wp-content/uploads/2020/04/22packard_pb_india_11.11fullrelease02522-by-Paula-Bronstein-Nov-2017-CC-BY-NC-scaled-1-1024x512.jpg)
Since the founding of Creative Commons (CC) in 2001, we’ve been supported by like-minded organizations and individuals who value open access, the open community, and the global commons as much as we do. As we near our 20th anniversary, we are reflecting on the past and planning for the future. What better way to do…
Bassel Khartabil Fellowship Awarded to Tarek Loubani—Using Open Access to Combat COVID-19
by Eric Steuer Open Access post![](https://creativecommons.org/wp-content/uploads/2020/04/tarek-loubani-1024x683.jpg)
We are thrilled to announce today that Dr. Tarek Loubani has been awarded the 2020 Bassel Khartabil Fellowship. Loubani is the medical director of Glia, a project focused on using Open Access manufacturing and distribution in order to provide lower costs and vastly increase the accessibility of urgently needed medical supplies and gear. The Fellowship…
Why We’re Advocating for a Cautious Approach to Copyright and Artificial Intelligence
by Brigitte Vézina, Diane Peters Copyright post![Public Domain artwork](https://creativecommons.org/wp-content/uploads/2020/02/WIPO_AI_IP-1024x536.jpg)
On 14 February 2020, Creative Commons (CC) submitted its comments on the World Intellectual Property Organization (WIPO)’s Issues Paper* as part of WIPO’s consultation process on artificial intelligence (AI) and intellectual property (IP) policy. In this post, we briefly present our main arguments for a cautious approach to regulating AI through copyright or any new…
New Canadian Report Offers Balanced Recommendations for Progressive Copyright Reform
by Timothy Vollmer Copyright post![](https://creativecommons.org/wp-content/uploads/2019/06/The-Maple-Leaf-Forever-1024x683.jpg)
Earlier this week the Canadian Parliament’s Standing Committee on Industry, Science and Technology (INDU) released a report with 36 recommendations on the statutory review of Canadian copyright law. The report caps a year-long study, including a public consultation and committee hearings that included a variety of stakeholders. The document makes progressive recommendations that support a…
Privacy Policy (pre 2019-05-02)
page1. Preamble This Privacy Policy explains the collection, use, processing, transferring and disclosure of personal information by Creative Commons Corporation (“CC” or “Creative Commons”), a Massachusetts charitable organization. This Privacy Policy is incorporated into and made part of Creative Commons Master Terms of Use (“Master Terms”) located at https://creativecommons.org/terms. Unless otherwise noted on a particular…
Terms pre-2019-04-29
pageCreative Commons Master Terms of Use Effective as of 25 May 2018 1. General Information Regarding These Terms of Use Master terms: Welcome, and thank you for your interest in Creative Commons (“Creative Commons,” “CC,” “we,” “our,” or “us”). Unless otherwise noted on a particular site or service, these master terms of use (“Master Terms”)…
Privacy Policy (pre 2019-04-02)
page1. Preamble This Privacy Policy explains the collection, use, processing, transferring and disclosure of personal information by Creative Commons Corporation (“CC” or “Creative Commons”), a Massachusetts charitable organization. This Privacy Policy is incorporated into and made part of Creative Commons Master Terms of Use (“Master Terms”) located at https://creativecommons.org/terms. Unless otherwise noted on a particular…
What’s next with WIPO’s ill-advised broadcast treaty?
by Timothy Vollmer Copyright post![](https://creativecommons.org/wp-content/uploads/2018/10/broadcast-tower.jpg)
Six years ago we wrote a blog post titled WIPO’s Broadcasting Treaty: Still Harmful, Still Unnecessary. At the time, the proposed treaty — which would grant to broadcasters a separate, exclusive copyright-like right in the signals that they transmit, separate from any copyrights in the content of the transmissions — had already been on WIPO’s docket for…