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Tag: Better Sharing

2022 in Review: a Look at Creative Commons’ Open Culture Program

Open Culture
image of a white CC open culture logo in the left corner on top of an illustration of a person sitting by a window and reading a newspaper A cropped version of "'Espejo exterior o espía'." by Biblioteca Rector Machado y Nuñez is marked with Public Domain Mark 1.0. with a white CC open culture logo

2022 was quite a year for the Creative Commons (CC) Open Culture Program, thanks to generous funding from Arcadia, a charitable fund of Lisbet Rausing & Peter Baldwin, and the Samuel H. Kress Foundation. In this blog post, we take a look back at some of the year’s highlights in our program’s four components: Policy,…

Our Work in Policy at CC: Data

Copyright
Detail of a data visualization showing numerical dates and gold and burnt umber bars of different lengths representing values emanating from the center of a radial graph that ends up looking like a starburst. NYTimes: Regulation and Innovation since 1981 (Radial)” by Jer Thorp is licensed via CC BY 2.0; here modified by cropping.

As the year comes to a close, we’re spotlighting Creative Commons’ public policy work, recapping what we’ve done and looking ahead to the new year. In this edition, we turn to our work on better sharing of data. The sharing of open data can be incredibly beneficial to society: facilitating enhanced scientific collaboration and reproducibility,…

Our Work in Policy at CC: Artificial Intelligence

Copyright
An aerial view of flat rural land with a few scattered clouds showing roads and structures that make the land look like a glowing gold circuit board. Like A Giant Circuit Board” by Alan Levine is dedicated to the public domain via CC0 1.0; here modified with a filter and cropped.

As the year comes to a close, we’re spotlighting Creative Commons’ public policy work, recapping what we’ve done and looking ahead to the new year. In this edition, we turn to our work on artificial intelligence (AI). Recently, you might have seen the news headline “Art Made With Artificial Intelligence Wins at State Fair,” or…

Experts Weigh In: AI Inputs, AI Outputs and the Public Commons

Better Internet
Two images generated by AI side-by-side: On the left: A brightly colorful painting in the style of Hieronymus Bosch showing vaguely human figures climbing on and attending to a wooden Medieval-looking Rube Goldberg contraption involving wheels, levers, and spheres. On the right: A white robot with a look of concentration on their face, wearing a red cap and robe, holding a painter’s palette, painting something beyond the frame with a brush that has an abstract flower growing up from its handle. AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.

On 9 and 10 November 2022, Creative Commons hosted a pair of webinars on artificial intelligence (AI). We assembled two panels of experts at the intersection of AI, art, data, and intellectual property law to look at issues related to AI inputs — works used in training and supplying AI — and another focused on…