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Category: Open Culture

Generative AI and Creativity: New Considerations Emerge at CC Convenings

Better Internet, Events, Open Creativity, Open Heritage, Technology
People seated at tables in a conference room watching a panel of four speak on stage below a slide with an image of a robot painting at an empty easel, saying: Creative Commons, Engleberg Center on Innovation Law & Policy, this event sponsored by Akin, gratitude for additional support to Morrison Foerster. Generative AI & the Creative Cycle Panel” by Jennryn Wetzler for CC BY 4.0.

This week, Creative Commons (CC) convened 100+ participants during two events in New York City to discuss the important issues surrounding generative artificial intelligence (AI), copyright, and creativity. For many years, we at CC have been examining the interplay between copyright and generative AI, exploring ways in which this technology can foster creativity and better…

An Open Letter from Artists Using Generative AI

Better Internet, Open Creativity, Technology
A bluish surrealist painting generated by the DALL-E 2 AI platform showing a small grayish human figure holding a gift out to a larger robot that has its arms extended and a head like a cello. Better Sharing With AI” by Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “A surrealist painting in the style of Salvador Dali of a robot giving a gift to a person playing a cello.” CC dedicates any rights it holds to the image to the public domain via CC0.

As part of Creative Commons’ ongoing community consultation on generative AI, CC has engaged with a wide variety of stakeholders, including artists and content creators, about how to help make generative AI work better for everyone. Certainly, many artists have significant concerns about AI, and we continue to explore the many ways they might be…

Exploring Preference Signals for AI Training

Better Internet, Open Culture, Technology
Close up photo of three round metal signs lying haphazardly on a stony path, each with a big white arrow pointing in a different direction, embossed on a greenish-blue background. "Choices" by Derek Bruff, here cropped, licensed via CC BY-NC 2.0.

One of the motivations for founding Creative Commons (CC) was offering more choices for people who wish to share their works openly. Through engagement with a wide variety of stakeholders, we heard frustrations with the “all or nothing” choices they seemed to face with copyright. Instead they wanted to let the public share and reuse…

Understanding CC Licenses and Generative AI

Better Internet, Licenses & Tools, Open Creativity, Technology
A black and white illustration of a group of human figures in silhouette using unrecognizable tools to work on a giant Creative Commons icon. CC Icon Statue” by Creative Commons, generated in part by the DALL-E 2 AI platform. CC dedicates any rights it holds to this image to the public domain via CC0.

Many wonder what role CC licenses, and CC as an organization, can and should play in the future of generative AI. The legal and ethical uncertainty over using copyrighted inputs for training, the uncertainty over the legal status and best practices around works produced by generative AI, and the implications for this technology on the…

Back to Basics: Open Culture for Beginners

Open Culture
The background image is the Wave of Kanagawa, a famous Japanese painting of a large wave with boats floating toward it. Creative Commons’ logo is in the upper right hand corner. Underneath reads “OPEN CULTURE LIVE” and “Back to Basics: Open Culture for Beginners, 27 July, 2023, 14 UTC.” Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei). Katsushika Hokusai ca. 1830–32. Metropolitan Museum. Public Domain.

On 27 July 2023 we hosted the first webinar in our new Open Culture Live series. In this session about the basics of Open Culture, we led a presentation that answers some of the key questions for beginners hoping to understand more about Creative Commons, and how we work closely with the cultural heritage sector…