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Brigitte VézinaCopyrightCredit: 2010 PopTech Science and Public Leadership Fellows by PopTech (CC BY-SA 2.0).
Last month, cOAlition S released its Rights Retention Strategy to safeguard researchers’ intellectual ownership rights and suppress unreasonable embargo periods—Creative Commons (CC) keenly supports this initiative. Modernizing an outdated academic publishing system Under a traditional publishing model, researchers who want to publish their articles in a journal typically need to assign or exclusively license their…
In the second part of our series on artificial intelligence (AI) and creativity, we get immersed in the fascinating universe of AI in an attempt to determine whether it is capable of creating works eligible for copyright protection. Below, we present two examples of an AI system generating arguably novel content through two different methods:…
Should novel output (such as music, artworks, poems, etc.) generated by artificial intelligence1 (AI) be protected by copyright? While this question seems straightforward, the answer certainly isn’t. It brings together technical, legal, and philosophical questions regarding “creativity,” and whether machines can be considered “authors” that produce “original” works. In search of an answer, we ran…
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Brigitte VézinaCopyright15318215771_72c527508c_k Photo of the Ndebele Tribe in South Africa by UN (CC BY-NC-ND 2.0)-
This post was co-authored by CC’s Open Policy Manager Brigitte Vézina and Legal and Policy Intern Alexis Muscat. Tomorrow is International Day of the World’s Indigenous Peoples, a day that seeks to raise awareness of and support Indigenous peoples’ rights and aspirations around the world. We at Creative Commons (CC) wish to highlight this important…
Today is International Museum Day and we at Creative Commons (CC) are thrilled to celebrate the institutions that curate, care for, and provide access to the world’s rich diversity of cultures, ideas, and forms of knowledge. This year’s theme, dedicated to the universal values of equality, diversity, and inclusion, is a testament to museums’ ability…
New beginnings at WIPO On March 4, Daren Tang was nominated director general of the World Intellectual Property Organization (WIPO), the United Nations agency dealing with intellectual property matters. Tang is currently the chief executive of the Intellectual Property Office of Singapore (IPOS) and his six-year term as top WIPO official will start on October…
Over the weekend, news emerged that upset even the most ardent skeptics of open access. Under the headline, “Trump vs Berlin” the German newspaper Welt am Sonntag reported that President Trump offered $1 billion USD to the German biopharmaceutical company CureVac to secure their COVID-19 vaccine “only for the United States.” In response, Jens Spahn, the…
On 14 February 2020, Creative Commons (CC) submitted its comments on the World Intellectual Property Organization (WIPO)’s Issues Paper* as part of WIPO’s consultation process on artificial intelligence (AI) and intellectual property (IP) policy. In this post, we briefly present our main arguments for a cautious approach to regulating AI through copyright or any new…
Creative Commons is thrilled to announce that the second Public Domain Day celebration is happening on January 30, 2020 in Washington, D.C. We’re working with our friends at the Internet Archive, the Program on Information Justice and Intellectual Property at American University Washington College of Law, Creative Commons USA, the Institute for Intellectual Property &…
The UNESCO Open Educational Resources (OER) Recommendation was unanimously adopted on November 25 by 193 UNESCO member states at the 40th UNESCO General Conference. This milestone offers a unique opportunity to advance open education around the world. Why does it matter? This Recommendation is an official UNESCO instrument that gives national governments a specific list…
Credit: 2010 PopTech Science and Public Leadership Fellows by PopTech (CC BY-SA 2.0).
