Skip to content

Search

Making CC explicit

Uncategorized post

Notes on “Law That Works” at VON ’07: It’s not made explicit frequently enough, but one of the core purposes of Creative Commons is to let agents and bots have sex with our permissions data. That’s why the licenses are machine readable. That’s why they can be embedded as metadata in digital files. Accordingly, we…

VRM

Uncategorized post

Doc Searls and others have been writing about Vendor Relationship Management — infrastructure facilitating relationships where the customer is the vendor’s equal, contra Customer Relationship Management. Searls’ most recent essay on VRM, Building an Relationship Economy, says that Creative Commons licenses have a role to play: Let’s ignore the record companies for a minute. Instead,…

CC for Googlers tech talk

Uncategorized post

October 26 I gave a tech talk at Google, “Creative Commons for Googlers”, now avaiable for viewing and download on Google Video. Unfortunately slide text is too small to read well in the video, but the slides are also now online. If you’ve been following this blog obsessively there will be nothing new in the…

MOD Films

Open Culture post

MOD Films produces “remixable” film content and technology aimed at new cinema platforms. Through documentation and packaging of the film production, MOD helps to support future use of the films as digital video releases, in games, and as source material for online communities to play with. Michela Ledwidge founded MOD Films in 2004 with a…

John Wilbanks, Science Commons ED, on The NeuroCommons

Uncategorized post

One of the most exciting Science Commons projects that was born in 2005 and will continue to grow in 2006 is the NeuroCommons. The NeuroCommons is a proving ground for the ideas behind Science Commons: open legal contracts, open access literature, advanced use of open-standards semantic web technology and the construction of a community involving…

CC in Review: Lawrence Lessig on Compatibility

Copyright post

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you would like to be removed from this list, please click here: https://creativecommons.org/about/lessigletter#unsubscribe Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter ] From…

(cc) People: Nathan Yergler

Uncategorized post

In October 2003, our website redesign included a new page called Technology Challenges, where we invited volunteer developers to tackle some tough coding projects that could help the cause. Within a couple of weeks, some dude named Nathan Yergler had picked a couple of formidable challenges off like sitting ducks. First was CCMoz, the Firefox…

Creative Commons Unique Search Tool Now Integrated into Firefox 1.0

About CC post

CREATIVE COMMONS’ ONE-OF-A-KIND SEARCH ENGINE DEBUTS, HERALDING NEXT-GENERATION WEB SEARCH FEATURES EXTRA: The new Mozilla Firefox 1.0 browser ships with the Silicon Valley nonprofit’s new search technology, allowing users to comb the web for royalty-free content. SAN FRANCISCO, USA November 22, 2004 Creative Commons today unveiled an updated beta version of its search engine, which…

Do You Code-Switch? Yet Another Reason to Go Some Rights Reserved

Uncategorized post

People who study race, gender, and anthropology sometimes talk about “code-switching“: the way a person who straddles different cultures (poor and rich, minority and majority, north and south) learns to toggle between the lingo and mannerisms of each to survive, or in some cases, thrive. One of the several “ah ha!” moments of Siva Vaidhyanathan‘s…

DMusic Offers Creative Commons Licenses to its User Base Of 300,000

About CC post

Oldest independent digital music community and Silicon Valley nonprofit announce new copyright option for musicians Palo Alto, CA and Jenkintown, PA, USA – DMusic, the first and oldest independent digital music community, announced today that it will offer Creative Commons licenses as an option to all DMusic contributing musicians. The licenses, provided by the nonprofit…