“People are always looking for what side to be on, and there isn’t just one side. . . . I think we’re looking for a kinder, gentler, more equitable model where more people can make a living off of this stuff.” The wise words of Jenny Toomey, musician, policy wonk, and Executive Director of the…
One more from today’s cosmic copyright coincidence file: “Some of These Bootleggers, They Make Pretty Good Stuff” — a Salon piece on Bob Dylan and “the hidden industry he (unwittingly) helped create.” Thought-provoking.
An interesting piece in the New York Times today discusses “Illegal Art: Freedom of Expression in the Corporate Age,” an exhibition dedicated to works built in part from other copyrighted works — without permission. By sign-of-the-times coincidence, I participated in a panel yesterday entitled “The Illegal Imagination,” at the Future of Music Coalition’s superb summit…
Innovative content licensing seems to be catching on — even beyond the efforts of Creative Commons. Prentince Hall PTR recently announced that they’ll publish a series of technical books under open-content licenses. Read the Slashdot story. Kudos to Bruce Perens for brokering the move, and to Prentice Hall for joining O’Reilly and Associaties in the…
Do you know someone using a Creative Commons license for a unique or compelling project? We like to profile such Featured Commoners, and we’d like your suggestions. Email us.