In the second part of our series on artificial intelligence (AI) and creativity, we get immersed in the fascinating universe of AI in an attempt to determine whether it is capable of creating works eligible for copyright protection. Below, we present two examples of an AI system generating arguably novel content through two different methods: … Read More “Artificial Intelligence and Creativity: Can Machines Write Like Jane Austen?”
Brigitte is passionate about all things spanning culture, arts, handicraft, traditions, fashion and, of course, copyright law and policy. She gets a kick out of tackling the fuzzy legal and policy issues that stand in the way of access, use, re-use and remix of culture, information and knowledge.
Before joining CC, she worked for a decade as a legal officer at WIPO and then ran her own consultancy, advising Europeana, SPARC Europe and others on copyright matters.
Currently located in the Netherlands where she lives with her husband and two kids, Brigittegrew up living in eight different countries across North America, Africa and Europe but Montréal is where she proudly comes from.
Brigitte is a fellow at the Canadian think tank Centre for International Governance Innovation. She holds a bachelor’s degree in law from the Université de Montréal and a master’s in law from Georgetown University. She has been a member of the Bar of Quebec since 2003.
Photo credit: Victoria Heath CC BY 4.0
Artificial Intelligence and Creativity: Why We’re Against Copyright Protection for AI-Generated Output
Should novel output (such as music, artworks, poems, etc.) generated by artificial intelligence1 (AI) be protected by copyright? While this question seems straightforward, the answer certainly isn’t. It brings together technical, legal, and philosophical questions regarding “creativity,” and whether machines can be considered “authors” that produce “original” works. In search of an answer, we ran … Read More “Artificial Intelligence and Creativity: Why We’re Against Copyright Protection for AI-Generated Output”
This post was co-authored by CC’s Open Policy Manager Brigitte Vézina and Legal and Policy Intern Alexis Muscat. Tomorrow is International Day of the World’s Indigenous Peoples, a day that seeks to raise awareness of and support Indigenous peoples’ rights and aspirations around the world. We at Creative Commons (CC) wish to highlight this important … Read More “Sharing Indigenous Cultural Heritage Online: An Overview of GLAM Policies”
COVID-19 has changed many things about how we all learn, work, and play. In fact, it has drastically changed how we lead our lives. But in these exceptionally distressing times, one thing that hasn’t changed is the dynamism and resilience of the Creative Commons (CC) community. In this blog post, we’re thrilled to share some … Read More “Our Community is Reducing the Impact of COVID-19 on Science, Education, and Culture”
Today is International Museum Day and we at Creative Commons (CC) are thrilled to celebrate the institutions that curate, care for, and provide access to the world’s rich diversity of cultures, ideas, and forms of knowledge. This year’s theme, dedicated to the universal values of equality, diversity, and inclusion, is a testament to museums’ ability … Read More “Copyright Law Must Enable Museums to Fulfill Their Mission”
On the occasion of both Earth Day and World Intellectual Property Day, which this year centers on the theme of Innovation for a Green Future, we’d like to underline the importance of cultural heritage preservation as a response to the threats posed by climate change. In this post, we’ll also share some insights on how … Read More “Using CC Licenses and Tools to Share and Preserve Cultural Heritage in the Face of Climate Change”
The benefits of open access (OA) are undeniable and increasingly evident across all academic disciplines and scientific research: making academic publications1 freely and openly accessible and reusable provides broad visibility for authors, a better return on investment for funders, and greater access to knowledge for other researchers and the general public. And yet, despite OA’s obvious … Read More “Why Sharing Academic Publications Under “No Derivatives” Licenses is Misguided”
New beginnings at WIPO On March 4, Daren Tang was nominated director general of the World Intellectual Property Organization (WIPO), the United Nations agency dealing with intellectual property matters. Tang is currently the chief executive of the Intellectual Property Office of Singapore (IPOS) and his six-year term as top WIPO official will start on October … Read More “Does WIPO’s New Leadership Have the Vision to Shake Up Global Copyright Policy-Making?”
The global health crisis is crystalizing the need for policies that support universal access to learning resources The COVID-19 pandemic has wreaked havoc on over a billion learners’ lives—half of the world’s student population have seen their schools or universities close to slow the spread of the virus. As a result, many educational institutions are … Read More “Education in Times of Crisis and Beyond: Maximizing Copyright Flexibilities”
In response to the global health emergency caused by COVID-19, we’ve seen an array of organizations, publications, and governments make COVID-19 related research open access. For example, the U.S. National Library of Medicine recently released the COVID-19 Open Research Dataset (CORD-19)—a machine-readable coronavirus literature collection with over 29,000 articles available for text and data mining … Read More “Dr. Lucie Guibault on What Scientists Should Know About Open Access”