“Taxing Questions: Are Compulsory Licenses a Solution to the P2P Debate?” by Miriam Rainsford

“Magnatune – a Non-Evil Record Label?” by Slashdot staff

“Wired to Wired” by Anya Kamenetz

“Auntie’s digital revelation” by Danny O’Brien

“Semantic Web: Out of the Theory Realm” By Michael Singer

From November 12th through 19th, Creative Commons will host a week-long online discussion entitled “Copyleft, Right & Center: Innovations in Law,” cosponsored by Eyebeam and the University of Maine. We’d like to invite you, members of the Creative Commons community, to participate in the discussion by joining the list. The resulting dialogue will be edited…

Berklee College of Music, the world’s largest independent music college and the premier institution for the study of contemporary music, today launched Berklee Shares, a groundbreaking new program that offers music lessons — free under Creative Commons licenses — and encourages musicians to share and distribute the lessons online. Berklee Shares consist of a growing…

Last week, British lawmakers passed a new bill to add electronic publications (including websites) as documents stored in national archives. This new law augments existing laws that cover all printed materials produced in the UK since 1911.

The U.S. Court of Appeals for the 9th Circuit (in California) ruled yesterday that the Beastie Boys’ sampling of a three-note segment of James Newton’s composition to the song “Choir” did not infringe Newton’s copyright. The court ruled that the sample was a “de minimis” — or trivial — instance of copying and thus not…

In the Creative Business section of today’s Financial Times, there’s a good article about how and why Creative Commons was formed, titled “It’s not all or nothing: A middle way for copyright holders is emerging.” A subscription is required to review the article.