As a Copyright and Digital Scholarship librarian, I spend a lot of time talking to people about the rights they have to the things they create, and as an active member of the open community, I often find myself encouraging others to apply Creative Commons licenses to their work.
With each question igniting long conversations, and the discussions ultimately illustrating shared objectives and processes behind the three books, we all walked away happy to have the lively dialogues recorded, if not on our computers, at least in our memories.
Together with re:3d, an Austin-based 3D printing company, and the #NEWPALMYRA project, a community platform dedicated to the virtual remodeling and creative use of architecture from the ancient Syrian city of Palmyra, Creative Commons has produced a 200 pound, 7.5 feet tall 3D rendering of one of the Palmyra Tetrapylons.
We are pleased to announce our annual State of the Commons report, which celebrates our global community of artists, archivists, and advocates working to further collaboration, creativity, and access to research and cultural heritage.
Imagine a Vilhelm Hammershøi painting printed out and hung over your fireplace, a 3D printed sculpture in your garden, or maybe a party that mixes Spotify playlists with an opera singer performing romantic songs in front of the newly acquired Friedrich’s painting.
Creative Commons believes that providing pathways to participation is crucial to our goal of lighting up the commons and we’re proud to support so many participants from our Global Community.
What if we could use technology to connect municipal campaigners and enable them to share knowledge and tools in an open resource kit across traditional geographic and partisan divides?