Sounds good in Spanish, too. Here’s an article from Clarin.com on Creative Commons and director James Boyle‘s recent visit to Argentina. The piece doesn’t quite get how Creative Commons’s approach is reliant upon and compatible with copyright, but it’s nice to see another example of interest in our work building across the world.
Earlier today, Steven Garrity’s excellent essay on Mozilla branding was Slashdotted, bringing his server down for several hours (it’s a common effect). What is interesting about it is that I personally could not reach the server to read the document, but thanks to the attached Creative Commons license and the license provisions that allow for…
On October 6 we posted a list of technology challenges that we hoped would inspire developers. It did inspire one: Nathan Yergler has already created and made a few rounds of improvements to a web app that validates and extracts license metadata, just as called for. As an example of what Nathan’s application can do,…
This week’s featured content is Douglas Rushkoff‘s new essay entitled Open Source Democracy. It’s a 70 page essay (available as a free downloadable PDF) that explores the future of politics in an interactive world. It was created for the UK thinktank Demos, and is available under a Creative Commons License. For those unfamiliar with Rushkoff’s…
Earlier tonight at the Lessig vs. Rosen debate, we gave away copies of our second* CD, Copy Me/Remix Me. It features a variety of music from an even wider variety of artists. Among the featured musicians, you’ll find record-at-home independents, magnatune and opsound artists, world music groups, and small town rock bands. As we mentioned…
If you’re in Los Angeles, you might want to check out Chairman of the Creative Commons, Lawrence Lessig, along with former recording industry head Hilary Rosen tonight and tomorrow at USC’s Bovard Auditorium. Tickets are $10, and Creative Commons will be there giving out information and licensed music CDs (more about the CDs shortly).
Gnomoradio is a new project to create a free software package that will allow people to share Creative Commons licensed audio. While there are no downloadable clients currently, the project is proceeding rapidly and they have put a call out for musicians wanting to release their licensed music to the network.
Streaming Media’s recent article “Creative Commons Licensing for Digital Media” is a detailed review and demonstration of our metadata embedding guidelines. Larry Bouthillier covers why the licenses exist, the license terms themselves, and how to apply them to web pages and music formats.
Inspired by world-famous musician and composer Gilberto Gil and developed with the help of the veteran found-art group Negativland, Creative Commons will launch our new Sampling Licenses on December 16, 2003. Read more.
There’s a great article by Tad Friend in this week’s New Yorker, entitled “Credit Grab.” The piece explains the (fairly arbitrary) arbitration process used to settle authorship disputes over big Hollywood movies and to award credit to screenwriters. The process is a mess, says Friend, in part because most Hollywood pictures, particularly those whose characters…