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Today we conclude the Open Culture Voices series, which over two years has showcased more than 65 open culture experts and practitioners from around the world. Over these two years we have had the privilege of engaging with remarkable individuals, each bringing their unique insights and stories to our community. Thank you!
Dave talks about how many “institutions are on a mission to expose their collections to the world and make them available for everyone.” Dave sees this as a major evolution from a time not too long ago when it was only those with means who could access collections in any way. Open Culture VOICES is…
Kyle believes that “the artistic and creative expressions of humanity is the best way to experience our human efforts” and open GLAM makes this a reality for much more than what you can see on a given day in a museum. Open GLAM also helps drive more digitization of collections around the world in an…
Maarten believes that “Open GLAM is a necessity of a disbalanced copyright framework.” Maarten talks about how open access policies help institutions achieve their public missions. Open access policies in instutions provides good evidence that society and communities need access to cultural heritage to flourish. Open Culture VOICES is a series of short videos…
Marike van Roon shares that “the main benefit of open culture is accessibility” because if you are not fortunate enough to be part of organization that pays for you to have access to collections and you don’t live in city with public collections it’s almost impossible to access a lot of cultural heritage. In this…
“For researchers GLAM’s preserve primary sources” which is of great benefit when creating knowledge and research about the present and the past. Pierre talks about how open access policies in GLAM’s make knowledge shared and more widespread instead of just for the elite few with permission from the collecting institution. Open Culture VOICES is a…
Michael has discovered a lead-by-example way of working in Open GLAM which is that “friction and barriers that are faced are actually resolved by Open Access and Open GLAM which can be passed down to future users of creative works.” In this episode we learn more about the ways institutions conflate stewardship obligations and responsibility…
“Open access is essential for education, innovation, and cultural participation.” Deborah believes that cultural heritage institutions such as libraries, archives, and museums are not just responsible for the preservation of material but in the access and promotion of material for the public good. Institutions should can choose to make their material available online and these…
“Open access means that we’re able to reach more people in a more equitable fashion.” Christy explains how the Wellcome Collection has been using Open Access to increase the engagement and shared value of an art and culture collection in a private foundation. Christy also shares some insight about the benefits of leveraging existing tools,…
Jennie says “one thing that I love about the internet is that it has allowed us to do things we weren’t able to in the past.” In this episode we learn about the differences between digital and physical collections and what it means to be open to the public online as well as in real…