Last week, Creative Commons took part in the International Public Domain Day celebration at the Royal Library of Belgium in Brussels. Two engaging roundtables were hosted, delving into copyright issues concerning the public domain and its future. The event united advocates for open access to cultural heritage, featuring presentations on topics like the monetization and decolonization of the public domain, as well as updates on the Europeana Public Domain Charter. Creative Commons introduced new guidelines published in February aimed at encouraging users to reference institutions when utilizing public domain cultural heritage materials.
The J. Paul Getty Museum just released more than 88 thousand works under Creative Commons Zero (CCØ), putting the digital images of items from its impressive collection squarely and unequivocally into the public domain. This is in line with our advocacy efforts at Creative Commons (CC): digital reproductions of public domain material must remain in the public domain. In other words, no new copyright should arise over the creation of a digitized “twin.”
Today, Creative Commons (CC) joins the Digital Public Goods Alliance (DPGA) as a new member. The DPGA is a multi-stakeholder initiative with a mission to accelerate the attainment of the sustainable development goals in low- and middle-income countries by facilitating the discovery, development, use of, and investment in digital public goods (DPGs).
CC’s new guidelines aim to encourage users to refer to host cultural heritage institutions when using public domain materials. Rooted in the Behavioural Insights Team’s EAST Model, they offer institutions practical design ideas to nudge users into referring back to them.
From 6 to 8 November 2023, Creative Commons participated remotely in the 44th session of the World Intellectual Property Organization Standing Committee on Copyright and Related Rights. In this blog post, we look back on the session’s highlights on broadcasting, exceptions and limitations, and generative AI, from CC’s perspective.
Kyle believes that “the artistic and creative expressions of humanity is the best way to experience our human efforts” and open GLAM makes this a reality for much more than what you can see on a given day in a museum. Open GLAM also helps drive more digitization of collections around the world in an…
“The key to enjoying the benefits of Open Culture is to use the tools available to us” says Rina Pantalony. In this episode we learn about the national and global networks that support open access in the GLAM sector and how education is crucial to leveraging the power of open licenses. Copyright is a tool…
“Accessibility means putting art out there!” Sumona tells us in this episode about how Delhi’s Art Gallery (DAG) approaches open access from various perspectives. Sumona shares insight into creating exhibitions that inform the public and shed light on recent history in digital and physical spaces. Open Culture VOICES is a series of short videos that…
On 27 July 2023 we hosted the first webinar in our new Open Culture Live series. In this session about the basics of Open Culture, we led a presentation that answers some of the key questions for beginners hoping to understand more about Creative Commons, and how we work closely with the cultural heritage sector…
CC is thrilled to be partnering with the Wikimedia Foundation to make Wikimania 2023 a reality. The gathering takes place 16–19 August both in Singapore and online. Whether you can make it to Singapore or not, register now to attend, participate, and access recorded sessions. The CC and Wikimedian communities overlap in many ways and…