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Creative Commons 1967

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At this weekend’s Singularity Summit in San Francisco, “openness” of all sorts — open source, open access, open content, transparency — seems to be considered an uncontroversial and important part of making “AI and the future of humanity” a good one, for example: If the singularity is in fact near, the fundamental tools of information,…

Creative Commons for Newspapers, Scientists, Film students and Wikipedia SEOers(!?)

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Four articles turned up yesterday all advocating use of different Creative Commons licenses in different contexts, nicely demonstrating the not-really-niche-anymore scope covered by Creative Commons. Newspapers: In GateHouse’s case, they’ve reserved the right to commercialize, the right to preserve the content’s integrity, and the right of attribution. [Attribution-NonCommercial-NoDerivs] It’s all “part of being a good…

CC in Review: Lawrence Lessig on CC Licenses

Copyright post

[This email is part of a weekly series written by Lawrence Lessig and others about the history and future of Creative Commons. If you would like to be removed from this list, please click here: https://creativecommons.org/about/lessigletter#unsubscribe Alternatively, if you know others who might find these interesting, please recommend they sign up at https://creativecommons.org/about/lessigletter ] From…

CC in Review: Lawrence Lessig on Supporting the Commons

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So today, Creative Commons launches its first fund raising campaign. Until now, we’ve lived on very generous grants from some very wise foundations. But the IRS doesn’t allow nonprofits to live such favored lives for long. To maintain our nonprofit status, the IRS says we must meet a “public support test” — which means we…

Wall Street Journal on the Sampling Licenses

Open Culture post

by Ethan Smith, Staff Reporter of The Wall Street Journal For some people, the future of copyright law is here, and it looks a lot like Gilberto Gil. The Brazilian singer-songwriter plans to release a groundbreaking CD this winter, which will include three of his biggest hits from the 1970s. It isn’t the content of…

Slate to George Lucas: slap a Creative Commons license on Star Wars

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The online magazine Slate has a great review article on the Star Wars fan-created movie Revelations. Slate’s Clive Thompson gives the film high marks saying the story and special effects are better than the recent Star Wars prequels and even goes so far as to say: George Lucas has always encouraged Star Wars­-inspired fan movies,…

Free Online Music Booms as SoundClick Offers Creative Commons Licenses

About CC post

Online music community sees over 30,000 songs licensed under “some rights reserved” copyright in just one month. San Francisco, CA and New York, NY, USA – Soundclick (http://www.soundclick.com), one of the Internet’s largest music community sites, now offers Creative Commons licenses as an option for all songs uploaded to its website. Soundclick, which sees about…

BitPass + Creative Commons

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Musicians Joshua Ellis and Big Friendly Corporation have implemented a new technology called BitPass to sell their Creative Commons-licensed content via micropayment. Joshua has offered his songs under an Attribution-Noncommercial-ShareAlike license. If you buy a song for 50 cents, or the entire album for $3.50, you’re then free to copy, distribute, and make derivative works…