Gawker Media, the blog conglomerate that includes Gizmodo, Gawker, and Lifehacker among others has adopted our Attribution-NonCommercial license for all of their original content. Gizmodo’s Brylan Lam blogged about the decision here:
… I’m happy to announce that we’re being published under a Creative Commons license now. Although it’s a non-commercial license, remixes and quotes are fine by blogs commercial or otherwise, with attribution/links. But splogs can—as always—go to hell. This has always been our policy, but it’s nice to have the license right there on the bottom.
You can read more about the policy on their legal page if you’re so inclined. Congrats and thanks for contributing to the commons, Gawker Media!4 Comments »
Sketchory is a new site featuring over 250,000 CC-licensed sketches, available broadly under a CC BY-NC license that allows for open sharing and remixing. In a unique twist, Sketchory allows the commercial use of up to 5,000 sketches through using our CC+ protocol.
Sketchory currently needs help tagging images to improve their search functionality, so be sure to lend a hand when possible.No Comments »
We’ve posted all of the data that was offered on Jonathan Coulton’s “JoCo Looks Back” USB jump drive promotion on LegalTorrents. The zip file contains the entire “JoCo Looks Back” album (also available on CD for $15 from CDBaby.com) plus all of the separated source audio files from each track, all licensed under our Attribution-NonCommerical license.
Download the 730mb torrent and start your remixes today!1 Comment »
From CC Australia:
A couple of days ago the [Australian Broadcasting Corporation's] excellent collaborative media site, Pool, posted a recording of genetics professor Steve Jones talking about Darwin’s life and work under a Creative Commons Attribution-Noncommercial licence. As far as we’re aware, this is the very first time material from the ABC archives has been released under a Creative Commons licence.
And this is just the beginning. Pool plans to release a whole series of ABC archival materials for remixing as part of its its Gene Pool project.
We’re all very excited here at CCau. The ABC has, almost without question, the largest historical audiovisual archive in Australia. Just think what we can do with it.
We’re excited as well. Last year we conducted a round-up of broadcasters implementing CC, and twelve months later, with exemplary license usage by Al Jazeera and now ABC’s Pool project, it seems the broadcasting world is poised for more. Stay tuned and enjoy exploring the remixable, high-quality material.No Comments »
Chicago-based record label Rock Proper just added another impressive notch to their discography with today’s release of Jitney’s 86-300. The work of musician Casey Meehan, 86-300 is released under a CC BY-NC license, making the experimental rock songs therein freely sharable/remixable as long as Jitney is properly attributed and reuses are noncommercial in intent.
This is the second featured release from Rock Proper, who previously put out Jay Bennett’s CC-licensed Whatever Happened I Apologize. Of interest to those in the CC community is a remix from artist Fabakis who took Bennett’s stripped down I’ll Decorate My Love and transformed it into a song complete with drums, organ, electric guitar/bass, piano, and a slew of instrumental treats. All of this was legal and encouraged through the album’s CC BY-NC license, and if comment sections are to be trusted, might even result in an unexpected collaboration between the two artists in teh future.No Comments »
Public Knowledge cofounder David Bollier‘s new book Viral Spiral published by The New Press is not only available as free Creative Commons (BY-NC) download, but it will likely establish itself as a definitive guide for those seeking to understand and discover the key players and concepts in the digital commons. From the beginnings of the Free Software Movement, to Wikipedia’s Inception, to Lessig founding Creative Commons at Harvard Law School, Bollier thoughtfully examines the principles and circumstances that helped nurture our digital commons from idea to (meta)physical reality.
If you are looking for a book that both serves as an introduction to and argues for the ideals behind a digital commons, look no further. And if you’re planning on reading the book in the bed, bath or beach, purchase a hard copy at Amazon or other fine bookstores..No Comments »
Adam Singer is a musician and “social media guru” who used his expertise in both fields to find a more harmonious means of online promotion. As a relatively “unknown artist”, Singer saw little return on efforts to profit from his works as CDs and digital downloads, selling only a few copies with “mixed results”. It was at this point that Singer chose to release his music under a CC BY-NC license.
The choice was not motivated from a promotional standpoint – Singer turned to CC licensing after the “realization [he] would rather have [his] music reach more ears as the money [he] was making was worth far less than the joy of being able to share it with others” – but it spurred unintended promotional results. A recent post on TheFutureBuzz outlines the results of Singer’s choice – soon, he found his music appearing on music blogs, had people on Twitter soliciting him for original music for video, had his music featured on online web radio shows, saw a fan remix video pop-up on YouTube, and saw traffic to his MySpace page increase dramatically.
It is obvious to those who listen that Singer’s music is of high-quality, but by encouraging the free sharing and reuse of this music he was able to reach a far greater audience than he had previously. The story, heard many times before in a variety of incarnations, brings about echoes of Tim O’Reilly:
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Obscurity is a far greater threat to authors and creative artists than piracy.
L.A.-based record label and former Featured Commoner Vosotros just went live with their latest release ¡ YES WE PUEDE !, a compilation of artists covering American public domain classics in honor of next week’s Presidential inauguration. The album features some amazing L.A. artists and is released under a CC BY-NC license, allowing others to share and remix the tracks for noncommercial purposes as long as Vosotros and the artists are properly attributed.
Choosing CC for the project is in spirit with the incoming administration’s license use. ¡ YES WE PUEDE ! joins DJ Z-Trip’s Victory Lap in the “awesome CC-licensed music inspired by the Barack Obama” category.
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Former Wilco member Jay Bennett is an incredibly talented singer-songwriter, multi-instrumentalist, and producer who has just put out his fifth solo album, Whatever Happened I Apologize, as a free download under a Creative Commons Attribution Noncommercial license. For the release, Bennett is working with Rock Proper, an online distributor of CC-licensed music. The company has a great mission statement:
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Rock Proper seeks to enhance the lives of these artists by embracing the technologies of today. While not exactly a record label, Rock Proper is constantly vigilant; researching all possible channels of revenue that may allow these musicians to continue creating.
In the past, the ways we discovered music felt immediate and personal. Mix-tapes, fan-zines, underground radio, and uncle John’s LP collection all celebrated music well beyond the boundaries of commerce. Like these old models, Rock Proper seeks to deliver music of integrity with immediacy and care.
My friends in the hip-hop/electronic trio Restiform Bodies recently announced a remix contest to celebrate the release of their new album, TV Loves You Back, on anticon records. All of the acapella tracks from the album are offered under a Creative Commons BY-NC license, so you can sample them, remix them, and mash them up. The contest is open until January 1, 2009, and the group will choose two submissions from the contest to include on an upcoming RB vinyl remix album.No Comments »