“AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.

On 9 and 10 November 2022, Creative Commons hosted a pair of webinars on artificial intelligence (AI). We assembled two panels of experts at the intersection of AI, art, data, and intellectual property law to look at issues related to AI inputs — works used in training and supplying AI — and another focused on…

“AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.

Artificial intelligence (AI) has been exploding across the digital landscape — from people sharing text and images generated by AI platforms, to new policy that tries to shape a future where AI is expected to play an even bigger role — all while we aren’t really sure yet even how to define AI, much less…

The Association of Educational Publishers (AEP) and Creative Commons are hosting a webinar to introduce publishers, content developers, educators, and the general public to the Learning Metadata Resource Initiative (LRMI). Many of you read about its launch in June, and maybe even saw that the Technical Working Group had been finalized and is starting work.…