In my last blog post, I looked at whether copyright protects artistic style, particularly in the context of generative AI (GAI) art tools like Stable Diffusion and Midjourney. However, in the class action litigation against Stable Diffusion and Midjourney, the plaintiffs are not only concerned that people can use the GAI tools to produce works…
“Grunge Heroes” by Stephen Wolfson for Creative Commons was generated by the Midjourney AI platform with the text prompt “a grunge band from the 1990s made up of superheroes.” CC dedicates any rights it holds to the image to the public domain via CC0.
In my previous posts on generative AI, I discussed fair use and AI training data, copyright over AI outputs, and a recent U.S. Copyright Office decision on registration for a work produced by generative AI. In the next posts in our series, I will look at claims (exemplified in a recent case against Stable Diffusion…
“Input” by jputman, here slightly cropped, is licensed via CC BY-SA 2.0.
Over the last year, innovation and use of generative artificial intelligence (AI) has proliferated, providing new ways for people to create content from art to zines, and everything in between. At CC, we’ve been watching these experiments in creativity while considering what it all means for what we call better sharing: sharing that is contextual,…
“Zarya of the Dawn”: detail of an image generated by Midjourney AI from the full graphic novel by Kristina Kashtanova.
In a recent post, we explained why, absent significant and direct human creative input, generative AI outputs should not qualify for copyright protection. We noted that exactly what constitutes enough human input is not entirely clear; while a simple text prompt shouldn’t be enough, other areas will present more complex questions. Just this week, the…
“Bicycle”, here slightly cropped, by Stephen Wolfson for Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “bicycle.” CC dedicates any rights it holds to the image to the public domain via CC0.
“Generative AI” has been the subject of much online conversation over the past few months. “Generative AI” refers to artificial intelligence (AI) models that can create different kinds of content by following user input and instructions. These models are trained on massive datasets of content — images, audio, text — that is harvested from the…
“Robot Training” by Creative Commons was generated by the DALL-E 2 AI platform with the text prompt “an oil painting in the style of Pieter Jansz Saenredam of a robot learning to follow a recipe in a Dutch kitchen with a large collection of tiny artworks arranged haphazardly on shelves.” CC dedicates any rights it holds to the image to the public domain via CC0.
While generative AI as a tool for artistic expression isn’t truly new — AI has been used to create art since at least the 1970s and the art auction house Christie’s sold its first piece of AI artwork in 2018 — the past year launched this exciting and disruptive technology into public awareness. With incredible…
“Like A Giant Circuit Board” by Alan Levine is dedicated to the public domain via CC0 1.0; here modified with a filter and cropped.
As the year comes to a close, we’re spotlighting Creative Commons’ public policy work, recapping what we’ve done and looking ahead to the new year. In this edition, we turn to our work on artificial intelligence (AI). Recently, you might have seen the news headline “Art Made With Artificial Intelligence Wins at State Fair,” or…
“AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.
On 9 and 10 November 2022, Creative Commons hosted a pair of webinars on artificial intelligence (AI). We assembled two panels of experts at the intersection of AI, art, data, and intellectual property law to look at issues related to AI inputs — works used in training and supplying AI — and another focused on…
“AI Inputs and Outputs” by Creative Commons was made from details from two images generated by the DALL-E 2 AI platform with the text prompts “A Hieronymus Bosch triptych showing inputs to artificial intelligence as a Rube Goldberg machine; oil painting” and “a robot painting its own self portrait in the style of Artemisia Gentileschi.” CC dedicates any rights it holds to the image to the public domain via CC0.
Artificial intelligence (AI) has been exploding across the digital landscape — from people sharing text and images generated by AI platforms, to new policy that tries to shape a future where AI is expected to play an even bigger role — all while we aren’t really sure yet even how to define AI, much less…
At Creative Commons, we’ve been thinking a lot about how open principles and public interest values intersect with the decentralized web movement, particularly in relation to broader, collaborative efforts to build a Better Internet. In the past year, we’ve worked with other digital human rights and tech policy organizations to power this emerging movement, focused…